ROLAND FP60 DIGITAL PIANO BLACK FINISH – A PORTABLE PIANO WITH GRAND PERFORMANCE If you are looking for no-compromise Piano Performance for Home, Studio, classroom or live performance, the FP-60 is a fantastic choice. This portable digital piano offers exceptional sound and touch housed in a sleek, stylish cabinet that looks great and is easy to transport. The specially designed onboard speaker system produces rich, impressive sound with ample projection for performing at small venues, while a range of non-piano sounds allow you to cover a variety of musical styles and with modern Bluetooth® wireless connectivity built in, you can connect a smartphone or tablet and enhance your playing and practice sessions with Roland’s Piano Partner 2 and other music apps. The Roland FP-60 offers truly outstanding value, delivering premium piano quality in a streamlined instrument that travels anywhere!
  • SuperNATURAL Piano sound engine with 288-voice polyphony for true acoustic piano sound and response
  • PHA-4 keyboard with escapement and Ivory Feel keys for inspiring grand piano touch
  • Connect your smartphone or tablet via Bluetooth and play along with favorite songs through the piano’s speaker system
  • Advanced onboard speaker system provides rich, powerful sound for home playing and intimate live performances
  • Also includes electric pianos, strings, organs, and synth sounds from Roland’s flagship instruments
  • Enhance performances and practice sessions with Roland’s Piano Partner 2 app and create music with Apple’s GarageBand for iOS and other leading music apps
  • Three-band EQ with dedicated front-panel controls
  • DP-10 damper pedal included; compatible with optional RPU-3 triple pedal
  • Optional KSC-72 stand and KPD-90 three-pedal unit provide an elegant integrated look for home use
ROLAND FP60 – SOUND AND TOUCH WITH SUPERIOR PIANO PERFORMANCE Why should a portable piano mean you have to compromise on sound quality and keyboard feel? With the FP Series portable piano, you don’t have to settle for less, as it includes the sound engine and premium keyboard construction from our flagship pianos housed in a stylish, mobile body. Roland’s advanced piano technologies offer superior tone and touch that will satisfy the most experienced pianists. ROLAND FP60 – COVER ANY MUSICAL STYLE WITH A VAST RANGE OF SOUNDS Even if you usually play with classic acoustic piano sounds, there are often situations when you need additional sounds to play various songs and styles. The FP60 has you covered with a selection of pro-grade electric pianos, strings, organs and others, giving you a multitude of sound options for nearly any musical genre. ROLAND FP60 – ONBOARD SPEAKER SYSTEM – READY FOR GIGGING IN SMALLER VENUES Due to size limitations, the onboard speaker systems in typical portable pianos only produce sufficient sound for playing and practicing at home. But thanks to Roland’s sophisticated design approach, the FP60 has a big, powerful sound that projects beautifully in small performance venues, eliminating the need to bring an external sound system. The speakers and integrated amplifier have also been carefully tuned for precise reproduction of every tonal detail. ROLAND FP60 BLUETOOTH CONNECTIVITY – EXPAND THE RANGE OF YOUR CREATIVITY These days, people often play piano along with favorite songs stored on their smartphone. With built-in Bluetooth wireless support, the FP-60 goes a step further by letting you stream music through the piano’s powerful internal speakers, resulting in a far more immersive experience. Installing Roland’s free Piano Partner 2 app on your tablet lets you get even more creative, providing access to rhythm accompaniments from genres including pop, jazz, and blues. They even follow the chords you play, and it all happens wirelessly thanks to Bluetooth technology. *The Bluetooth feature may not be available, depending on the country where the product is purchased. ROLAND FP60 – FLEXIBLE SETUP – CONTEMPORARY LOOKS – EASY SETUP Unusually for a portable piano, the FP60 looks great at home too, thanks to the simple and refined exterior design. The FP60 looks even better when paired with the optional stand and pedal for a fresh, contemporary look. And thanks to the portable cabinet design and onboard speakers, the FP60 is also ideal for gigging in smaller venues. ROLAND FP60 – SOUNDS LIKE AN ACOUSTIC GRAND PIANO The FP60 features the Roland SuperNATURAL Piano Modeling engine, providing the dynamic, expressive sound of an acoustic grand piano, with rich, complex overtone changes that naturally follow your touch. ROLAND FP60 – PLAYS LIKE AN ACOUSTIC GRAND PIANO The FP60 keyboard offers maximum comfort, playability and response comparable to an acoustic grand piano. The FP-60 features Roland’s PHA-4 keyboard with escapement and ivory-feel keys for a tactile and inspiring piano experience. ROLAND FP60 – PLAY ANY MUSICAL STYLES The FP series includes a wide range of pro-quality sounds ready for playing a variety of music styles. The FP-60 include a total of 86 tones, including 15 Piano, 16 E.Piano, 11 Strings, 15 Organ, 15 Pad and 14 Other. ROLAND FP60 – EASY ACCESS TO YOUR FAVORITE SOUNDS The FP-60 allow you to save your favorite sound and useful settings – including layers and splits – via one of the 30 user registrations, for quick recall during your performance. Also, dedicated Upper and Lower volume sliders on the FP-60 front panel let you adjust the sound in an instant. ROLAND FP60 – NO NEED TO BRING SMALL MONITOR SPEAKERS Each model in the FP series is equipped with powerful onboard speakers that are ideal for home playing or intimate performances. Since the onboard speakers are meticulously designed to make the piano sound great, you won’t need to bring external monitor amps for your performances in smaller venues. ROLAND FP60 – SUPERIOR SOUND SYSTEM DESIGNED FOR A PIANO The FP-60 projects rich, well-balanced piano sounds from its main stereo speakers (12 cm x 8cm) housed in a dedicated speaker box and with the convenient three-band equalizer on the front panel, it’s easy to shape the sound to fit the venue you’re playing in too! Roland’s uncompromising sound quality means beautifully inspiring piano sound that exceeds the typical speaker quality in its class. ROLAND FP60 – ENHANCE DAILY PIANO LEARNING AND ENJOYMENT The Piano Partner 2 app for iOS and Android mobile devices provides a friendly, interactive way to help you learn and enjoy music on your FP piano. Songs and DigiScore Lite show the piano’s internal music collection on your device’s screen, while Rhythm and Flash Card modes allow you to build skills with intelligent accompaniment and engaging music exercises. And the Diary feature allows you to log your daily practicing to check the progress. To use Piano Partner 2, connect your device and a compatible Roland piano wirelessly via Bluetooth, or wired with a USB cable. Piano Partner 2 is available for free from the App Store or Google Play. *Compatible with iPhone, iPad, and Apple Watch, as well as Android devices. ROLAND FP60 – PERSONALISE  THE SOUND OF YOUR PIANO Inside the instrument are many parameters that allow you to finely adjust the sound elements of the piano, just like how an experienced piano technician fine-tunes an acoustic piano for a specific artist or musical style. With the Piano Designer app, you can easily control these elements from the graphical touchscreen on your mobile device. In addition, the app includes many ready-to-play settings, allowing you to enjoy custom sounds created by world-class piano technicians. *Piano Designer app is available for FP-90/FP-60. ROLAND FP60 – IF A FURNITURE PIECE IS IMPORTANT OPTIONAL STAND AND PEDAL CONFIGURATION AVAILABLE The sleek and portable FP60 can also become a contemporary modern upright home piano with the simple addition of  the optional stand and pedal. The simple, modern design is stable and durable while the pedal option offers three-pedal configuration with *Progressive Damper Action providing continuous response for traditional playing techniques. Both options are a great way to complete your setup, delivering authentic piano performance. ROLAND FP60 – EASY TO SET UP ANYWHERE The portable FP60 is perfect for small gigs at smaller venues. You could leave the dedicated stand at home and simply load the piano into your car, using the piano with a portable keyboard stand such as Roland’s KS-12 keyboard stand or any of the other suitable stands available from scmusic. Additionally, the optional RPU-3 Pedal Unit is suitable for a mobile setup, offering a grand piano pedaling experience by combining three pedals into a compact and portable clutter-free unit.
SHUBB S1 DELUXE GUITAR CAPO For Steel String Acoustic and Electric Guitars CAPO: (short for capodastro, capo tasto or capotasto [kapoˈtasto], Italian for “head of fretboard” is a device used on the neck of a stringed instrument to shorten the playable length of the strings, thereby raising the pitch. The word derives from the Italian “capotasto” which means the nut of a stringed instrument. The Capo is generally used to raise the pitch of a fretted instrument so it may play in a different key using the same open position fingerings shapes and patterns. The Capo may also used to dampen strings when playing with the “tapping” method.   This is the Shubb S1 Deluxe Steel String Guitar Capo. Precision machined from high quality Stainless Steel, it is superbly built to resist wear and tear and provide years of service. Featuring Silicon Free Rubber Pads and a new Roller Action which adds smoothness to the opening and closing action, the Shubb S1 Deluxe Capo is adjustable and easy to use. The spring loaded roller engages a track which ensures precise alignment. The lever has also been re-designed making opening and closing the Capo easier than ever. The closing action is more uniform, requiring less adjustment between wider and narrower parts of the neck. • American Stainless Steel for Increased Strength and Durability • Adjustable Roller Mechanism to Minimise String Buzz and Fret Wear • Radiused to Suit Steel String Guitar Fretboards • Non-Silicon Rubber won’t Damage Nitrocellulose Lacquer Finishes • Made by Shubb in the USA When Shubb first introduced their Capo in 1980, capos changed forever and were elevated to a whole new level. In 1998 Shubb released the Deluxe and pushed the envelope again. For millions of guitar players the world over – they have found their ultimate capo. Many people thought that the original Shubb could not be improved, but the Deluxe has taken what could be expected in materials, design, geometry and ergonomics to a higher level. The S1 Deluxe is Shubb’s flagship product and we are proud to be able to offer to you today. Widely imitated and copied, nothing works or stands the test of time like a genuine Shubb Deluxe Capo. Still made in Missouri and assembled by Shubb’s Team in California . . . as it always has been. • Material: American Stainless Steel resists wear and nicks. It will look as beautiful years from now as it does today. • Ergonomics: The redesigned lever makes opening and closing the Capo easy. • Roller Action: The new spring loaded roller further reduces wear, while adding smoothness to the opening and closing action. The roller engages in a track, ensuring precise alignment. • Geometry: The closing action is more uniform, closing with the same feel and requiring less adjustment between thicker and thinner parts of the neck. Buy with confidence! southcoastmusic is an authorised reseller of GENUINE SHUBB Guitar accessories!
AKG C414B-XLII FLAGSHIP REFERENCE RECORDING MICROPHONE o New Old Stock – 2007 build o Brand New – Unused o All Accessories Included o One Only When one of the all-time classic microphones got a 21st-century makeover. Alongside the C12, the C414 is the best known microphone that AKG make. Found in professional recording studios the world over, the number of hit songs recorded with these iconic microphones is immeasurable. However, the C414 has evolved over its long lifetime and in 2004, while still managing to retain the original sound of the C414, AKG Engineers made a number of significant improvements over the previous design thereby improving the technical performance of this benchmark microphone. AKG microphones are an important part of what we do at southcoastmusic. We not only sell them, our staff own them, have recorded with them at some of Australia’s biggest Recording Studios, worked with American Grammy Award winning Producers and one of our Team even worked as the National Sales Manager/AKG Product Manager for the previous Australian AKG distributor. This is a Time Capsule (no pun intended!) opportunity. We have always carried a comprehensive range of microphones and accessories – especially AKG. Recently, while making changes to our warehousing, we found some ‘new old stock’. Included in this find was this C414B-XLII – brand new, unused, never been on display and purchased by us in 2007! Built in Austria, this microphone completes complete with all accessories as supplied by AKG at the time including a foam-lined aluminium flight case that also includes a high-strength plastic shockmount with bayonet quick-release mechanism, a separate mesh pop shield with flexible gooseneck, a foam wind sock and manual in an assortment of popular languages. ABOUT THIS AKG C414B-XLII o Made in Austria o High sensitivity and extremely low self noise o High sound pressure level capability and wide dynamic range o Five switchable polar patterns for placement and application flexibility o Two-color LEDs provide quick visual indication of selected polar pattern and output overload o Elastic capsule suspension greatly minimises structurally-transmitted noise from chassis vibration o H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. The AKG C414XLII is a large-diaphragm, multi-pattern capacitor microphones utilising a gold-sputtered diaphragm. Only the front side of the diaphragm is coated effectively avoiding electrical shorting between the diaphragm and backplate at very high SPLs. The capsule hangs in a (then) newly designed four-point suspension system rather then the previous fixed block method. The way the various pattern, pad and filter options are selected was also quite unlike anything AKG had done before. Rather than use slide switches, the mics were upgraded with soft-touch rocker switches linked to digital switching circuitry, status LEDs along with a non-volatile memory so that settings are retained when the mic is disconnected from the phantom power source. The AKG C414B-XLII has slight additional lift above 3kHz giving this model a slightly more airy and open top end that is useful when miking vocals to capture a contemporary ‘crisp’ sound, or when miking instruments at a distance where the high lift helps compensate for the natural HF loss that occurs at a distance. Visually, the XLS model has a silver grille matched by silver engraved legending, while the XLII has a gold mesh and legend. As the mics are so similar, I’ll simply refer to them as the C414 until the time comes to describe their tonal differences. SWITCHABLE FACILITIES The AKG C414B-XLII features fve selectable pickup patterns including omni, figure of eight, cardioid, narrow cardioid and wide cardioid (not seen on previous C414 models). A tiny system of green LEDs below the switch illuminates whichever option has been selected and the current selection can be temporarily locked by pressing and holding the rocker selector switch for three seconds. Pressing again for three seconds or switching off the phantom power, unlocks the setting. The same pattern-selection LED doubles as a clip warning light and turns red for around one third of a second 2dB prior to clipping. AKG designed the C414B-XLII so that when the pattern LEDs are recessed, if you can see the LED clearly from the position of the instrument or voice being recorded, the mic is being aimed correctly. The pad switch has 6dB, 12dB, and 18dB settings — as with the pattern selection, this works by changing the polarising voltage on the capsule. The familiar bass-cut switch has also had a face-lift with 40Hz, 80Hz or 160Hz settings as well as off. A slope of over 12dB/octave is used for the lower two settings, while the 160Hz setting has a more gentle 6dB/octave characteristic. REVERSE SIDE OF THE C414B-XLII FEATURES PAD AND FILTER SWITCHING The reverse side of the AKG C414B-XLII has pad and filter switches. The re-engineered, transformerless electronic circuitry has extended the dynamic range of the C414B-XLII microphone to around 134dBA by maximising headroom and minimising self noise, the latter down to an impressive 6dBA. During the makeover, AKG engineers made both the capsule and circuitry less susceptible to humidity and temperature by locating the function switches in the low-impedance section of the circuitry, which also minimises switching thumps. The in-house controlled performance tolerance has been raised to such a high level that other for convenience, there is no need to buy matched pairs for stereo work. AKG C414B-XLII SPECIFICATIONS
  • Model: C414B-XLII
  • MPN: AKG-C414B-XLII
  • UPC: 9002761007893
  • Connectivity: Cable
  • Professional Applications: Vocal Recording, Broadcast, Musical Instrumen Recording, Performance, Audio for
  • Television
  • Sound Mode: Mono
  • Type: Condenser Microphone
  • Power: Requires Phantom Power
  • Phantom Voltage: 48v
  • Diaphragm Type: Gold Sputtered
  • Diaphragm diameter: 24mm
  • Self-noise: 6.0 dB(A)
  • Impedance: 200 ohms
  • Maximum SPL: 200 dB
  • Pickup Patterns:
  • Omnidirectional: (23 mV/Pa; 20 to 20,000 Hz)
  • Figure of Eight: (23 mV/Pa; 20 to 20,000 Hz)
  • Cardioid: (23 mV/Pa; 20 to 20,000 Hz)
  • Hypercardioid: (23 mV/Pa; 20 to 20,000 Hz)
  • Wide Cardioid: (23 mV/Pa; 20 to 20,000 Hz)
  • Pads and Filters:
  • Pad: -6 dB pad (Via Switch)
  • Pad: -12 dB pad (Via Switch)
  • Pad: -18 dB pad (Via Switch)
  • Filter: 12 dB/octave at 40 Hz (Via Switch)
  • Filter: 12 dB/octave at 80 Hz (Via Switch)
  • Filter: 6 dB/octave at 160 Hz (Via Switch)
  • Effective Output Level: -32.77 dBm
  • Frequency Response: 20Hz – 20000 Hz (True)
  • Connector Type: Three Pin XLR
  • Length: 160mm (6.30″)
  • Weight: 300grams (10.58 oz)
ON TEST On release, critics reported that tonally, “the C414B-XLII sounded like the earlier transformerless C414s, with a smoother top end. The top-lift XLII model sounds open rather than harsh with the obvious test being for recording lead vocals”. The reviewer reported that the C414B-XLII “handled this like the thoroughbred it is, combining body with high-end clarity”. ONE ONLY While there are and will always be cheaper microphones, the C414B-XLII is a flagship microphone. The design and the use of modern manufacturing methods have allowed AKG to create a modern masterpiece while retaining ‘that’ classic sound and introduce some very real improvements, both practical and technical. When purchased by us in 2007, the recommended retail price of this microphone was $2799! Buy with confidence! southcoastmusic is an authorised stockist of AKG Microphones and Accessories.
YAMAHA SA2200 Semi Acoustic Electric Guitar Violin Sunburst Finish YAMAHA SA2200 FEATURES:
  • Laminated Flamed Sycamore Body
  • Maple Centre Block
  • Yamaha AlNiCo V Humbucking Pickups (Aluminium/Nickel/Cobalt magnets)
  • Coil Splits via Tone Controls
  • Mahogany Neck
  • Ebony Fingerboard
  • Gotoh SG30 Tuning Machines
  • Gotoh GE103B Bridge
  • Gotoh GE101Z Tailpiece
  • Made in Japan
The SA2200 is an incredible electric guitar. Versatile is a word that must have been invented for this extraordinary instrument and capable of cutting the mustard with any style of music. Check out this clip of French Jazz virtuoso Bireli Lagrene with his SA2200. The Yamaha SA2200 combines a classic design with outstanding craftsmanship, premium materials and player-focused features to create a guitar that perfectly combines looks, sound and playability. The SA2200 semi-hollow body electric guitar features beautifully flamed laminated Sycamore timber in its construction. Hand Crafted in Japan by Yamaha’s most experienced Luthiers, the SA2200 represents the pinnacle of semi-hollow body design. A pair of Yamaha AlNICo Humbucking pickups offer up a broad range of tones with coil taps on the tone controls taking you into single coil twang territory. A Maple centre block ensures that feedback is controlled when these pickups are in full flight. The detailing of the SA2200 is simply superb with top-shelf gold-plated hardware, split block inlaid ebony fretboard and multi-bound body and headstock detailing. The headstock angle is slightly flatter than the classic 17 degree angle used by Gibson, with Yamaha choosing to retain the volute to help strengthen the area behind the nut. The use of a shallower headstock angle is being used by more manufacturers – Suhr for example have used something similar on their new singlecut model. The finger board uses medium gauge (2.54mm x 1.2mm) frets, which extend over the single edge binding providing an excellent surface for big string bends and wide vibrato. With the inclusion of our PRO-SCM setup, this Yamaha SA2200 is a guitar that you will find hard to put down. YAMAHA SA2200 Specifications
  • Construction: Set-Neck
  • Scale Length: 24-3/4″ (628.6mm)
  • Body Materials: Laminated Sycamore
  • Centre Block: Soft Maple Centre Block
  • Colour: Violin Sunburst
  • Body Finish: Gloss Polyurethane Lacquer
  • Neck Material: Mahogany
  • Neck Finish: Gloss Polyurethane Lacquer
  • Fingerboard Material: Ebony
  • Fingerboard Radius: 13-3/4″R (350mmR)
  • Frets: Medium Jumbo
  • Number of frets: 22
  • Nut material: Bone
  • Neck Width at Nut: 43.mm
  • Neck Width at 12th Fret: 53.5mm
  • Neck Thickness at 1st Fret: 20.5mm
  • Neck Thickness at 12th Fret: 22.2mm
  • Neck Pickup: Yamaha Alnico V Humbucker
  • Bridge Pickup: Yamaha Alnico V Humbucker
  • Coil Split/Tap: Yes
  • Coil Split Controls: Push-Push Tone Control
  • Controls: Front Volume, Rear Volume, Front Tone, Rear Tone
  • Pickup Switch: 3-Position Toggle Switch
  • Bridge: Gotoh GE103B
  • String spacing: 10.4mm
  • Tailpiece: Gotoh GE101Z
  • Tuning Machines: Gotoh SG30
  • Pickguard: 2-Ply Black
  • String gauge: 009″-0.042″
  • Case: Hardshell Case
  • Setup: PRO-SCM
Limited Edition Maton Messiah Tobacco Sunburst Serial Number: 2957 A Maton masterpiece! Blending only the very best materials available, with exquisite craftsmanship, the new Maton Messiah EM100C represents a total, no compromise approach. Flawless attention to detail guarantees your Messiah will be an instrument of pride and pleasure for many years to come. The Maton Messiah EM100/C was remodelled for a new beginning back in 2012. Featuring a newly tuned, scalloped braced top and Solid Rosewood back and side sets, this Australian Music Industry icon has taken its classic worldly timbers and expanded its tonal spectrum. A new Solid Mahogany Neck adds thickness to its deeper and richer tone. The Maton signature M MOP decal on the headstock is the finishing touch to a guitar that is truly a world class performer. The idea behind the new Messiah is to bring together the best of the world’s tonewoods to reinvigorate our flagship model. You could say the Messiah has been reborn, in that it now stands out from the pack aesthetically and tonally.We have taken the Messiah and maximised its tone and projection. The combination of scalloped bracing, mahogany neck, a thinner, rounded, back and an ultra thin UV finish has brought the Messiah up to where it belongs – The king of Maton’s range The Messiah EM100/C now comes with The Maton Case which is designed specifically for our guitars. We feel these cases offer the best protection for the instruments we create. EM100C SPECS Model: EM100/C Body Shape: Dreadnought W/Cut Away Soundboard: “AAA” Grade Sitka Spruce Rosette: Herringbone Bracing: Scalloped Maton X Back and Sides: Indian Rosewood Outer Binding: Rosewood W/Maple Pinstripe Inner Binding: Herringbone Neck: Mahogany Scale Length: 64.77cm (25.5″) Headstock Veneer: Rosewood, Maple Pinstripe/Keyhole Fingerboard & Bridge: Ebony Fretwire: Dunlop 6260 Number of Frets: 21 Fingerboard Radius: 304.8mm (12″) Nut Width: 44.1mm (1.736″ – 1 47/64″) 14th Fret: Width 55mm (2.165″ – 2 11/64″) Fingerboard Inlays: Pearl Snowflakes – “Messiah Block on 17th Fret Back & Sides Finish: Dark Back and Sides Top Finish: Tobacco Sunburst Bridge Pins: Ivory ABS Machine Heads: Gold Grover Rotomatic Pickguard: Tortoiseshell with Gold M End Pin/Strap: Gold Nut & Saddle: Bone Case: Hiscox Flightcase Pickup: AP5 PRO Strings: Elixir Nanoweb Phosphor Bronze 12-53
ORANGE CRUSH BASS 100 BASS AMPLIFIER BLACK Orange Crush BASS 100 Amplifier 100 Watt Electric Bass Guitar Combo Amp Taking key elements from the flagship Orange 4 Stroke and OB1 series bass amps – and with enough power for smaller venues, the Crush Bass 100 is a seriously versatile combo in both sound and application. Featuring high-end engineering techniques not usually found on combos of this type, the key to the Crush Bass 100’s immensely fat and detailed tone is the amplifier’s 100 Watt output section. The choice of discrete components (rather than common integrated circuits) gives the amp sensational levels of clarity across the entire spectrum, and the internal 15” speaker means that even the most subterranean frequencies come through loud and clear. Coupled to the output stage is an equally powerful preamp. The active EQ section with its sweepable parametric mid band allows players to fine tune the Crush Bass 100 to any style, plus the ‘bi-amp’ inspired Gain and Blend circuit adds even more tonal variety. These interactive controls add extra harmonic content and variable levels of grit to the core bass tone, perfect for creating earthy vintage riffs or even savagely distorted mayhem, without ever losing the all-important low end. They can also be switched in remotely via the optional footswitch. Along with a balanced line output, the Crush Bass 100 also has a buffered effects loop, an integrated tuner, AUX input and a Cabsim-loaded headphone output for silent practice. From the bedroom to the stage, this amp covers all bases.   POWERFUL ACTIVE PARAMETRIC EQ The Crush Bass 100 features an EQ circuit inspired by the prestigious Orange 4 Stroke Series amplifiers. At its centre is a parametric mid band sweep control. This presents players with a much greater degree of control over the sound than a traditional EQ, allowing them to vary the frequencies they want hear. The mid band covers a wide range, sweeping from 300Hz (fully anti-clockwise) to 2.7kHz (fully clockwise), meaning this amp can be fine tuned to suit any musical style. The active circuitry allows for up to 15dB of boost or cut on the bass and middle frequencies and up to 20dB on the treble side. BLEND & GAIN Lifted straight from the popular Orange OB1 Series amps, the Blend and Gain controls are a nod to the many bass players who experiment with guitar and bass amps simultaneously. In this ‘bi-amped’ setup, layers of harmonics and distortion from the guitar amp are blended with the core bass tone to create the ultimate full-range live sound. The Crush Bass 100’s Gain and Blend controls create the same effect in a single package, adding extra bite and crispness to the tone at lower gain settings, right up to all-out filth with the dials cranked. These controls can also be engaged remotely with the optional FS-1 footswitch, ideal for fattening your sound on the fly. DISCRETE OUTPUT STAGE & ANALOGUE DESIGN At the heart of the Crush Bass 100 is its 100 Watt output stage. Using discrete circuitry, rather than ICs (integrated circuits) ensures a purer and even more forceful delivery with outstanding clarity and definition. The Crush Bass 100 houses a 15” speaker with a reflex port for improved low end response. The buffered effects loop has been engineered for maximum transparency, ensuring your pedal arsenal will perform at its peak. BALANCED OUTPUT, CABSIM HEADPHONE OUTPUT, AUX INPUT & CHROMATIC TUNER The Crush Bass 100 features a balanced output (post EQ) for connecting to a PA for live situations. The headphone output features Cabsim circuitry which emulates the response of Orange’s stage-ready OBC bass speaker cabinets during silent practice. This signal can also be sent to a console for seriously authentic direct recording. The AUX input allows for connecting external audio sources for backing tracks whilst the handy onboard tuner makes for quick tune-ups between jams. ORANGE CRUSH BASS 100 FEATURES: • EQ: Active 3-Band EQ with Parametric Mid Control • Blend & Gain Controls: Bi-amp inspired Blend & Gain Controls (footswitchable) • DI Out: Balanced Direct Output • Effects Loop: Buffered Effects Loop • Tuner: Built-in Highly Accurate Chromatic Tuner • Headphone Out: Yes – CABsim Loaded Headphone Output • AUX input: Yes • Controls: -6DB Pad, Gain, Blend, Bass, Frequency, Middle, Treble, Volume, Tuner • Finish: Orange Basketweave Vinyl • Output Power: 100 watts • Speaker: 1 x 15″ Speaker • Dimensions: W51 × D55 × H35.5cm (20.28 × 21.65 × 13.98″) • Weight: 24.25kg (53.46 lb) “The Orange Crush Bass 100 is a highly recommended choice for bass players seeking a combo amp for small venues and the studio.” Guitar World Magazine “An inexpensive option that anyone looking for their first gigging amp should seriously check out.” Guitar & Bass Magazine “Well made, great sounding amps that represent brilliant value for money.” Music Radar
ORANGE CRUSH 35 RT COMBO GUITAR AMPLIFIER BLACK FINISH This New for 2015, the Crush 35RT is the largest and most feature-laden model in the ORANGE Crush range. This new twin channel, high gain preamp coupled to a beefier 35 Watt output stage and 10″ Voice of the World speaker yields amazing results, delivering even greater punch, presence and volume.   As well as onboard reverb and an integrated chromatic tuner, the Crush 35RT also features an Aux In for backing tracks and Orange’s superb CabSim-loaded headphone output. To top it all off, the Crush 35RT features a fully buffered, ultra transparent effects loop to truly get the most from your pedal setup. With features like these and more than enough bite and attitude for the rehearsal space, this combo goes way beyond the call of a traditional practice amplifier. o 35 Watts Output Power o Reverb o Built in Chromatic Tuner o Aux input for MP3 player o Headphone out o Fully Buffered Effects Loop o CabSim Cabinet Simulator o All Analogue Signal Path Orange-Crush-35RT-panel The commitment from Orange to analogue amplifier circuitry in a digital age ensures Crush amps possess the lively feel and responsiveness that Orange is famous for, inspiring guitarists to play their instruments and not the technology. The Crush 35RT’s highly effective 3 band EQ section allows for huge control over your sound, from bold vintage colours to scooped modern tones. o Twin Channel, High Gain Preamp Design Experience levels of detailed saturation and versatility never before heard in a practice amplifier. Building on the huge success of our Crush Pro series, our high gain preamp design puts a truly inspiring range of complex tones in the hands of the player. High quality, low noise components provide four stages of gain with exceptional richness and clarity. The result is amps that deliver everything from blissful cleans, to classic Bluesy Orange crunch all the way through to full-bodied, ultra high gain Metal distortion. Clean and Dirty channels can be switched on the amp’s top panel or remotely using an optional footswitch. Check with us before buying your CRUSH 35 RT to discuss your various footswitch options. o Buffered Effects Loop For players who love their pedals, the Crush 35RT’s fully buffered, low impedance loop allows for any number of effects and cables to be patched between the amp’s input and output sections without sacrificing tone. The attention to detail here means your pedal arsenal will perform to its absolute peak.   o Cabinet Simulation The headphone/line output includes the all new CabSim feature, faithfully emulating the sound of a mic’d Orange 4×12″ cabinet loaded with a quartet of flagship Orange “Voice of the World” speakers. Use headphones for silent practice or connect to a mixer/recording console to capture huge, authentic Orange tones in the studio. o Reverb & Integrated Chromatic Tuner Based on a classic ‘spring’ type, the reverb in the Crush ‘RT models is an all-new digital module which adds a warm 3D spaciousness to your sound. Ranging from a subtle shimmer to lengthy ethereal trails the circuit features an analogue ‘dry through’, ensuring your guitar’s tone maintains its integrity as the reverb is blended in.  The integrated chromatic tuner is accurate and fast-tracking for quick tune-ups between jams. o Voice of the World Speaker The custom designed Orange 10″ speaker delivers the perfect balance between modern low end punch and vintage highs, maintaining clarity even when pushed hard. o Timeless Classic Orange Styling Finished in the legendary Orange livery dating back to 1968, the Crush range features classic basket weave vinyl, woven speaker grille cloth, signature ‘picture frame’ edging and iconic hieroglyphs on the control panel.   ORANGE CRUSH 35 RT Features: o Twin channel design with high gain preamp o Three band EQ o Fully buffered effects loop o Reverb o Chromatic Tuner o CabSim cabinet simulator o Headphones output o Aux In o Controls: Clean Volume, Dirty Gain, Bass, Middle, Treble, Dirty Volume, Channel Selector Switch, integrated Chromatic Tuner, Reverb o Finish: Orange Basketweave vinyl o Output Power: 35 Watts o Speaker: Custom 10″ Voice of the World o Unboxed Dimensions (W x H x D): 44 × 40 x 23cm (17.32 x 15.75 x 9″) o Unboxed Weight: 11kg (25lb) o Warranty: One Year  

Returns Policy

Returns

Returns and Refunds Policy

SOUTHCOASTMUSIC – 14 DAY EZ RETURNS

South Coast Music offers you up to 14 days from the receipt of your order to return it to us. In order to be eligible for a return, the item must be unopened, in its original unbroken packaging and in perfect, brand new condition.

Upon its return, any item that has been opened will be assessed and may only be accepted back at our discretion for store credit or exchange only – even it appears to be unused. Any item(s) damaged due to reasons not covered under warranty will not be accepted back for refund under our 14 Day EZ Returns policy.

It is the customer’s responsibility to ensure the safe return of items back to us. Returned items remain your responsibility during transit. Any associated shipping fees or taxes are not refundable. Where an item was sent “freight free”, in other words, we paid the shipping fees to you, and that item is accepted for return under the terms of our 14 Day EZ Returns Policy, our original shipping costs will be deducted from the refund, exchange or credit.

Returns must include any additional products that were bundled with the original purchase (such as bonus items, vouchers, unused software digital download serial numbers, etc).

Some items cannot be returned. Copyright-protected items such as DVDs, CDs, password activated Software as well as music and reference books cannot be returned. Gift cards, vouchers, headphones, turntable cartridges, styli, and consumables are also not eligble for return.

Due to them being played with the mouth, Harmonicas, Recorders, Brass & Wind instruments cannot be returned,

WHAT IF MY ITEM IS FAULTY?

If you believe that the product you have purchased from South Coast Music has a manufacturing fault, we will facilitate the repair, replacement or refund in accordance with Australian Consumer Law.

Should the item arrive DOA (dead on arrival) or, develops a fault that is covered by Australian Consumer Law within 14 days from the delivery date, we can replace the item with a new one or provide a refund.

We cannot overstate how important it is when starting out with any new piece of technology, that you read the manual and setup instructions to ensure you understand how to properly and safely operate your equipment. On occasion, we have found that the equipment is not faulty but rather is being incorrectly used, so please be sure to check the basics before returning your item.

Here is a list of troubleshooting recommendations:

• Read the Manual

• Check Cables, Plugs and Connections – make sure that you are using the correct cables

• Read the Manual

• Check out Manufacturers websites for any updates on Product Manuals, Product Features or Firmware updates

• Call our friendly staff who may be able to talk you through your issue

If you are returning a faulty or DOA item under warranty, please return it with the complete original packaging.

RETURNING A FAULTY ITEM

When returning a faulty item, please email sales@scmusic.com.au with the following information about your faulty equipment:

• A copy of your original Tax Invoice

• Item Brand

• Model Number

• Serial Number

• A detailed description of the fault and when it occurs

• If the item is connected to other equipment, for example; a USB-AUDIO Interface, please list what it is connected to and what cables you are using

• You may also include any photos or video that may aid your request for return

ONCE WE HAVE RECEIVED YOUR EMAIL

Once our friendly staff have received your information, we will contact you to advise where to send your product (unless you are able to return it in person). You are responsible for returning products that can be easily returned or posted and you may be eligible for reimbursement of any reasonable return postage costs.

ONCE YOU HAVE MY ITEM, HOW LONG WILL THE REPAIR TAKE?

Repairs generally take two to four weeks however, the actual time will vary depending on a number of factors and one or more of these may apply to your repair:

• Type of Product

• Spare Parts availability

• Shipping times and delays

• Location of a Qualified Repairer and their workload

• Your Location

• Time of Year eg, public holidays such as Christmas etc

As musicians, we understand the need for a reasonable turnaround time for your repair. If we are advised of a delay in repairing your item, we will inform you as soon as possible. Feel free to reach out for an update to sales@scmusic.com.au. We recommend email as that provides a clear “paper trail”.

I AM READY TO SEND MY ITEM

South Coast Music does not accept liability for returned goods damaged or lost in transit. We strongly recommend that any returns are sent back with tracking. Make sure that you pack your returned goods carefully . You should always keep original boxes for your equipment so you can safely move or send your unit for repair. If you do not have the original packaging, make sure that your item is packed and padded securely to prevent transit damage. Return freight costs will be at your expense. South Coast Music will not accept liability for damage which may occur during transit. Please pack your returned item(s) carefully.

GIFTS

If a returned item was originally flagged as a gift and shipped directly to you, after assessment, if a refund is due, you will receive a gift credit for the value of your return based on our returns policy (outlined above). A gift certificate will then be emailed to you.

If the eligible item wasn’t flagged as a gift when purchased, or the gift giver had the order shipped to themselves to give to you later, we will contact the gift giver to facilitate the credit.

High-def D/A Converter and Monitor Controller BMC-2 front BMC-2 is a dedicated digital-to-analog converter and high-quality ‘hands-on’ monitor control that’s an ideal solution, no matter how your audio production or monitoring setup is based – be it digital or analog. We realize that predictable, ultra-low-latency speaker and headphone control is an important part of your production process, and with BMC-2 such luxury is always available to you – regardless of the state of the computer at the heart of your system. No Computer Needed This handy self-contained desktop unit can be operated without a Mac or PC, offering you instant and practical control of sound levels. As well as controlling the listening level, BMC-2 allows you to switch between three digital input sources – S/PDIF, AES3, TOS and ADAT, and confirm if those inputs are synchronous or not. BMC-2 drives one set of analog speakers, one set of digital speakers and a set of headphones. Calibrated listening is available with both sets of speakers and the headphone output. Reference Level But it’s not all about DAC and level control – BMC-2 also puts user-definable reference levels at your fingertips. You simply hit the REF button on the front panel and BMC-2 will attenuate the output to a user-defined sound pressure level, so reference level monitoring is always just a single button-press away. Perfect Clock BMC-2 precision re-clocks all inputs, and features high performance jitter rejection based on patented JET technology that was originally developed for our flagship System 6000. All the benefits of optical interfacing without the problems – asymmetries are corrected and jitter is completely removed from the equation. iCheck Your Source Analog output offers wide dynamic range on XLR connectors. Peak level metering and Integrity Check – or ‘iCheck’ – is also available on the selected input. iCheck reveals if the signal is spatially compromised, e.g. because of data reduction, such as MP3 or AAC encoded at too low a bit rate. BMC-2 is a self-contained desktop unit that works right out of the box with no need for a computer for setup. It interfaces directly with all new Macs and most PCs used for audio production – just attach the supplied 12V DC power adaptor. BMC-2 Details Inputs: Connect the inputs you wish to use. The S/PDIF input also handles AES3 and AES3-id format. Simply press one of the three INPUT SELECT keys to select the input you wish to listen to. Outputs: Analog speakers connect to the XLRs, digital speakers to the S/PDIF output. The S/PDIF output is really an AES 3-id output, so BMC-2 can drive AES inputs, even over long cable runs. Level Control: The big level knob controls the level to the speakers unless REF is active. The knob produces transparent gain settings with 0.0dB at the 3 o’clock position. Reference levels: Press the REF key to activate calibrated listening on both sets of speakers as well as on headphones. iCheck: Data reduced audio is not the same as ‘CD quality’. BMC-2 provides a shortcut for revealing artifacts of data reduction. At bit-rates lower than 256kbps for stereo, the spatial imaging is often compromised, which may be easily exposed by listening to the components of the image in isolation.
AMAZING TONE. TOTAL VERSATILITY Line 6 and Yamaha joined forces to introduce Variax® Standard—a player-friendly guitar that delivers more tone and versatility than any other instrument in its price range. Instantly access a collection of vintage electrics, classic acoustics and more. Access alternate tunings on the fly. Create any guitar imaginable with Variax Workbench™ HD software. Whether you’re recording in the studio or loading up the trusty tour van, Variax Standard will redefine what you expect from your guitar. UNFLINCHING QUALITY You’ll never want to put it down. Thanks to the remarkable craftsmen at Yamaha, Variax Standard delivers the rock-solid build you’d expect from a high-quality guitar. The lightweight alder S-type body, one-piece maple neck with rosewood fingerboard, and proprietary tremolo bridge deliver total comfort and playability, while the custom-wound pickups serve up loads of sonically rich tone. Add in Line 6’s Variax HD software technology and you get a guitar that goes above and beyond the call of duty. VINTAGE SOUND. AND SO MUCH MORE. Classic mojo. Modern innovation. Everyone knows that a vintage Strat® has amazing tone. But for many of us, owning one is a dream rather than reality. Variax Standard delivers a rich, bold sound based on* a priceless ‘50s Strat®, minus the hum and buzz that can plague older instruments. Plus you’re not limited to the sound of just one instrument—you can access dozens of classic guitars and pickup types to find your ideal tone. With Variax HD technology, you get an instrument that combines legendary guitar tone with pure versatility, playability and innovation—all for a price that’s within reach. Variax Standard goes beyond what any other guitar can do. CUSTOM-WOUND ALNICO PICKUPS Pickin’ up good vibrations. Want to take a break from guitar modeling and go old school for a bit? Variax Standard comes with three custom-wound single-coil Alnico V magnetic pickups that capture every nuance of your playing with pristine accuracy. If you want to go even further, you can also access over a dozen classic pickup types thanks to Variax HD technology. PERFORMANCE UPGRADES Ready to rock. Out of the box. No need to spend extra time and money upgrading your guitar—Variax Standard comes with high-quality components that set it apart from other guitars in its class. A lightweight alder body delivers clear, full-bodied sound with plenty of sustain. And the lubricated Graph Tech nut provides precise tuning stability to help you stay in tune as you bend strings.
yamaha 50th anniversary guitar logo south coast music YAMAHA FS820 ACOUSTIC GUITAR CONCERT SIZE GRAND AUDITORIUM ACOUSTIC GUITAR NATURAL Finish Yamaha’s standard acoustic model, with simple and traditional looks and outstanding quality, at an affordable price. A solid-top guitar with authentic sound that is well balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. Can be confidently recommended to all beginner guitarists. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players. o Small Body o Solid Spruce Top o Nato/Okume Back & Sides o Newly Developed Scalloped Bracing o Traditional looks and outstanding Yamaha quality Designed after their flagship LS series Grand Auditorium Concert-size guitars, Yamaha’s FS series have set the bar higher for affordable high quality acoustic guitars. The compact concert size body is perfect for female and younger players as well as intermediate to upper level finger-picking style players. Drawing on Yamaha’s fifty years of experience building guitars, the FS series shares features a comfortable 25″ short scale length and compact, grand auditorium concert size bodies. Delivering a tight, focused and punchy sound, the FS820 is not only a great strummer, it also provides perfect articulation for intricate playing styles. The new Yamaha FS820 is also louder and stronger in the lower to mid range frequencies. Thanks to cutting-edge acoustic analysis technology developed by the Yamaha Guitar R&D Division, their exhaustive analysis, feedback and simulations resulted in a new scalloped bracing design that was focused purely on sound rather than tradition or guesswork. This new pattern delivers more volume, more projection, increased low end response and a bigger tone., the bracing also allows the resonance of the guitar to sit closer to the middle resulting in a bigger impact on both tone and play-ability. YAMAH FS830 NT ACOUSTIC GUITAR BEST YAMAHA DEALS AT SOUTH COAST MUSIC 3 The FS820 is a superb guitar. Warm harmonic overtones and improved sustain thanks to the mahogany back and sides deliver improved sound through greater depth. The quality of finishing and overall appearance adds to the overall feeling that this guitar should actually cost more than its modest asking price and the Turquoise finish is simply gorgeous. Every aspect of the FS is hand crafted to make a better guitar. From painstakingly cured and dried woods to the beautiful hand-sprayed finish and detailed quality control check, the FS820 was made to be a lifelong partner. With the addition of our PRO-SCM setup, the Yamaha FS820 is a guitar that you simply won’t want to put down.   YAMAHA FS820 specifications o Body Shape: Concert o Scale Length: 634mm (25”) o Body Length: 497mm (19 9/16″) o Total Length: 1021mm (40 3/16″) o Body Width: 380mm (14 15/16″) o Body Depth: 90-110mm (3 9/16”- 4 5/16”) o Nut Width: 43mm (1 11/16”) o Top Material: Solid Sitka Spruce o Back Material: Mahogany o Side Material: Mahogany o Neck Material: Nato (Eastern Mahogany) o Fingerboard Material: Rosewood o Fingerboard Radius: R400mm (23-5/8″) o Bridge Material: Rosewood o Nut Material: Urea o Saddle Material: Urea o Bridge Pins: Black ABS with White Dot o Tuners: Yamaha TM29T Die-cast Sealed Geared Tuners o Hardware Finish: Chrome o Body Binding: Cream o Soundhole Inlay: Black + White o Pickguard: Black o Colour: Natural Lacquer o Body Finish: Gloss o Neck Finish: Matt o Strings: .012/.016/.024)/.032/.042/.053) o Colour: Turquoise o Setup: PRO-SCM o Warranty: Five Years
yamaha 50th anniversary guitar logo south coast music YAMAHA FS820 ACOUSTIC GUITAR CONCERT SIZE GRAND AUDITORIUM ACOUSTIC GUITAR BLACK Finish Yamaha’s standard acoustic model, with simple and traditional looks and outstanding quality, at an affordable price. A solid-top guitar with authentic sound that is well balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. Can be confidently recommended to all beginner guitarists. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players. o Small Body o Solid Spruce Top o Nato/Okume Back & Sides o Newly Developed Scalloped Bracing o Traditional looks and outstanding Yamaha quality Designed after their flagship LS series Grand Auditorium Concert-size guitars, Yamaha’s FS series have set the bar higher for affordable high quality acoustic guitars. The compact concert size body is perfect for female and younger players as well as intermediate to upper level finger-picking style players. Drawing on Yamaha’s fifty years of experience building guitars, the FS series shares features a comfortable 25″ short scale length and compact, grand auditorium concert size bodies. Delivering a tight, focused and punchy sound, the FS820 is not only a great strummer, it also provides perfect articulation for intricate playing styles. The new Yamaha FS820 is also louder and stronger in the lower to mid range frequencies. Thanks to cutting-edge acoustic analysis technology developed by the Yamaha Guitar R&D Division, their exhaustive analysis, feedback and simulations resulted in a new scalloped bracing design that was focused purely on sound rather than tradition or guesswork. This new pattern delivers more volume, more projection, increased low end response and a bigger tone., the bracing also allows the resonance of the guitar to sit closer to the middle resulting in a bigger impact on both tone and play-ability. YAMAH FS830 NT ACOUSTIC GUITAR BEST YAMAHA DEALS AT SOUTH COAST MUSIC 3 The FS820 is a superb guitar. Warm harmonic overtones and improved sustain thanks to the mahogany back and sides deliver improved sound through greater depth. The quality of finishing and overall appearance adds to the overall feeling that this guitar should actually cost more than its modest asking price and the Turquoise finish is simply gorgeous. Every aspect of the FS is hand crafted to make a better guitar. From painstakingly cured and dried woods to the beautiful hand-sprayed finish and detailed quality control check, the FS820 was made to be a lifelong partner. With the addition of our PRO-SCM setup, the Yamaha FS820 is a guitar that you simply won’t want to put down.   YAMAHA FS820 specifications o Body Shape: Concert o Scale Length: 634mm (25”) o Body Length: 497mm (19 9/16″) o Total Length: 1021mm (40 3/16″) o Body Width: 380mm (14 15/16″) o Body Depth: 90-110mm (3 9/16”- 4 5/16”) o Nut Width: 43mm (1 11/16”) o Top Material: Solid Sitka Spruce o Back Material: Mahogany o Side Material: Mahogany o Neck Material: Nato (Eastern Mahogany) o Fingerboard Material: Rosewood o Fingerboard Radius: R400mm (23-5/8″) o Bridge Material: Rosewood o Nut Material: Urea o Saddle Material: Urea o Bridge Pins: Black ABS with White Dot o Tuners: Yamaha TM29T Die-cast Sealed Geared Tuners o Hardware Finish: Chrome o Body Binding: Cream o Soundhole Inlay: Black + White o Pickguard: Black o Colour: Black Lacquer o Body Finish: Gloss o Neck Finish: Matt o Strings: .012/.016/.024)/.032/.042/.053) o Colour: Turquoise o Setup: PRO-SCM o Warranty: Five Years