Unlimited Sonic Possibilities The new GP-10 puts a universe of amazing tones and tunings at your command, all in one compact processor that’s affordable and easy to use. With a Roland GK-compatible pickup on your guitar, the GP-10 lets you transform your sound into numerous classic electric and acoustic guitar types, basses, and even analog-modeled synths, including the legendary Roland GR-300. Not stopping there, you have access to instant altered tunings, including popular open tunings, 12-string tones, and “down” tunings that are essential for today’s ultra-heavy rock styles. The versatile GP-10 also functions as a full-featured multi-effects processor for both GK and normal pickups, giving you a huge selection of COSM amps and effects for live playing and studio recording. In addition, USB connectivity lets you capture GP-10 tones directly into your DAW, and you can even play computer-based soft synths from your axe with the GP-10’s guitar-to-MIDI convertor!
Standard Features • Instant access to down tunings, open tunings, 12-string sounds, and your own custom tunings
• Instrument modeling powered by COSM technology, including conventional electric, acoustic, and bass guitars, plus sitar, banjo, fretless guitar, and others
• Analog guitar synthesizer modeling driven by real-time DSP allows you to play expressive, ultra-responsive synth tones
• Create totally new sounds by blending modeled and normal guitar tones together
• High-quality COSM amps and multi-effects derived from the GT-100
• 13-pin input for guitars equipped with a Roland GK-3 Divided Pickup or other GK-compatible pickup
• Standard 1/4-inch guitar input allows for use of amps and effects with any guitar
• USB audio/MIDI interface for multi-channel audio recording (including individual string output) and guitar-to-MIDI conversion with GK pickup
• BOSS TONE STUDIO editor/librarian for Mac/Windows and custom patches available at bosstonecentral.com
• Available with or without a GK-3 Divided Pickup
• Play the GP-10 and another 13-pin GK device at the same time using the GKP-2 Parallel Cable (optional) Modeling
• Electric guitar: 12 types
• Acoustic: 9 types
• Bass: 3 types
• Guitar synthesizer: 3 types
• Poly FX: 5 types
Alternate Tuning
• OPEN: D, E, G, A
• DROP: D to A
• D-MODAL
• NASHVILLE
• SHIFT: -12 to +12
• USER
• 12-string guitar function
Effects
• Preamp: 30 types
• FX: 16 types (including OD/DS)
• OD/DS: 21 types
• Wah: 6 types
• Chorus: 3 types
• Delay: 10 types
• Reverb: 7 types
• EQ: 1 type
• Noise Suppressor(NS): 1 type
Patch Memory
• 99
AD Conversion
• GK Pickup: 24 bits
• GUITAR IN: 24 bits + AF method
DA Conversion
• 24 bits
Sampling Frequency
• 44.1 kHz
Nominal Input Level
• GUITAR INPUT: -10 dBu
• AUX IN: -20 dBu
Input Impedance
• GUITAR INPUT: 1 M ohm
• AUX IN: 27 k ohms
Nominal Output Level
• OUTPUT L/MONO, R: -10 dBu
• GUITAR OUT: -10 dBu
• PHONES: -10 dBu
Output Impedance
• OUTPUT L/MONO, R: 2 k ohms
• GUITAR OUT: 2 k ohms
• PHONES: 44 ohms
Recommended Load Impedance
• OUTPUT L/MONO, R: 20 k ohms or greater
• GUITAR OUT: 20 k ohms or greater
• PHONES: 16 ohms or greater
Pedals
• Pedal switch x 4
• Expression pedal x 1
Display
• 16 characters, 2 lines (backlit LCD)
Connectors
• GK IN connector: 13-pin DIN type
• GUITAR IN jack: 1/4-inch phone type
• GUITAR OUT jack: 1/4-inch phone type
• OUTPUT (L/MONO, R) jacks: 1/4-inch phone type
• PHONES jack: Stereo miniature phone type
• AUX IN jack: Stereo miniature phone type
• EXP 2/CTL 3, 4: 1/4-inch TRS phone type
• USB port: USB type B
• DC IN jack
Power Supply
• AC adaptor
Current Draw
• 350 mA
Accessories
• AC adaptor
• Owner’s manual
• Leaflet “USING THE UNIT SAFELY”
• Divided pickup (Roland GK-3) (only for GK included model)
• GK cable (3 m, 10 feet) (only for GK included model)
Options (sold separately)
• Divided pickup: Roland GK-3
• GK cable: Roland GKC-5 (5 m), GKC-10 (10 m)
• GK parallel cable (GK pickup <–> GK connector x 2): Roland GKP-2
• Unit selector: Roland US-20
• Footswitch: FS-5U
• Dual footswitch: FS-6, FS-7
• Expression pedal: Roland EV-5, FV-500L/500H
Size and Weight
Width
• 251 mm / 9-15/16 inches
Depth
• 207 mm / 8-3/16 inches
Height
• 71 mm / 2-13/16 inches
Weight
• 1.9 kg / 4 lbs. 4 oz.
Size and Weight (Maximum height:)
Width
• 251 mm / 9-15/16 inches
Depth
• 207 mm / 8-3/16 inches
Height
• 93 mm / 3-11/16 inches
Weight
• 1.9 kg / 4 lbs. 4 oz.
Explore New Dimensions of Sound with Any Guitar Grab your favorite axe and dive into an extraordinary world of sound creation with the SY-300 Guitar Synthesizer. The SY-300 can be used with all your guitars right away, with no special pickup required—just plug into the standard 1/4-inch jack and play! Thanks to revolutionary new BOSS technology, you’re able to explore fat, analog-style polyphonic synth sounds with zero latency, seamlessly extending the natural expressiveness and familiar feel of your own instrument. In addition, you can shape your normal guitar with the synth’s filters, amps, and LFOs to create all sorts of cool sounds never heard before. From unique lead textures to rich, evocative soundscapes, the SY-300 brings untapped dimensions of inspiration and creativity to your music. Specifications Oscillators
• Three OSCILLATOR (wave: SIN, SAW, TRI, SQR, PWM, DETUNE SAW, NOISE, INPUT)
Effects
• Effect (FX) x 4
• Type: TOUCH WAH, COMPRESSOR, LIMITER, OD/DS, EQ, SLOW GEAR, DELAY, CHORUS, REVERB, PHASER, FLANGER, TREMOLO, ROTARY, UNI-V, PAN, SLICER, ISOLATOR, LO-FI, DELAY+REVERB, CHORUS+DELAY, CHORUS+REVERB
Patch Memories
• User: 99
• Preset: 70
AD Conversion
• 24 bits + AF method
* AF method (Adaptive Focus method): This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion
• 24 bits
Sampling Rate
• 44.1 kHz
Nominal Input Level
• INPUT: -10 dBu
• RETURN: -10 dBu
Input Impedance
• INPUT: 2.2 M ohms
• RETURN: 220 k ohms
Nominal Output Level
• MAIN OUTPUT: -10 dBu
• SUB OUTPUT: -10 dBu
Output Impedance
• MAIN OUTPUT: 2 k ohms
• SUB OUTPUT: 2 k ohms
Recommended Load Impedance
• MAIN OUTPUT L/R: 20 k ohms or greater
• SUB OUTPUT L/R: 20 k ohms or greater
• PHONES: 16 ohms or greater
LCD
• Graphic LCD (132 x 64 dots, backlit LCD )
Connectors
• INPUT jack: 1/4-inch phone type
• THRU jack: 1/4-inch phone type
• RETURN jack: 1/4-inch phone type
• MAIN OUTPUT R (MONO) jack: 1/4-inch phone type
• MAIN OUTPUT L (PHONES) jack: 1/4-inch phone type
• SUB OUTPUT R (MONO) jack: 1/4-inch phone type
• SUB OUTPUT L jack: 1/4-inch phone type
• MIDI (IN, OUT/THRU) connectors
• EXP/CTL4, 5 jack: 1/4-inch TRS phone type
• USB port: USB type B
• DC IN jack
Power Supply
• AC adaptor
Current Draw
• 400 mA
Accessories
• AC adaptor
• Owner’s manual
• Leaflet “USING THE UNIT SAFELY”
Options (sold separately)
• Footswitch: FS-5U, FS-5L, FS-6, FS-7
• Expression pedal: Roland EV-5, BOSS FV-500L/500H
Size and Weight
Width
• 255 mm / 10-1/16 inches
Depth
• 191 mm / 7-9/16 inches
Height
• 70 mm / 2-13/16 inches
Weight (excluding AC Adaptor)
• 1.75 kg / 3 lbs 14 oz.
* 0 dBu = 0.775 Vrms
ASIO
ASIO is a trademark and software of Steinberg Media Technologies GmbH.
Interstellar Toolbox Journey to new dimensions of time and space with the RV-500, the most powerful and versatile reverb processor BOSS has ever produced. This multifaceted creation machine features class-defying 32-bit AD/DA along with 32-bit/96 kHz floating point processing and immense programmability, putting pro-level studio reverb and more at your feet. Twelve modes and 21 newly developed reverb algorithms deliver a huge range of textures, from complementary ambience to deep, immersive sonic atmospheres. And thanks to the RV-500’s high-octane DSP, you can access a full-featured digital delay along with every reverb patch, and even run two reverb patches at once! Adding in MIDI I/O, support for external footswitch/expression control, and USB for connection to the free RV-500 Editor/Librarian software, the RV-500 is simply the most advanced reverb pedal available, bar none. Specifications Sampling Frequency
• 96 kHz
AD/DA Conversion
• 32 bits
Processing
• 32-bit floating point
Modes
12 modes
• ROOM
• HALL
• PLATE
• SPRING
• SHIMMER
• FAST DECAY
• EARLY REFLECTION
• NON-LINEAR
• SFX
• DUAL
• SRV
• SPACE ECHO
Memory
• 198 (99 banks x 2 [A] [B]), 297 (99 banks x 3 [A] [B] [C])
Nominal Input Level
• INPUT A/MONO, B: -10 dBu
Maximum Input Level
• INPUT A/MONO, B: +8 dBu
Input Impedance
• INPUT A/MONO, B: 1 M ohm
Nominal Output Level
• OUTPUT A/MONO, B: -10 dBu
Maximum Output Level
• OUTPUT A/MONO, B: +8 dBu
Output Impedance
• OUTPUT A/MONO, B: 2 k ohms
Recommended Load Impedance
• OUTPUT A/MONO, B: 20 k ohms or greater
Bypass
• Buffered bypass or True bypass (with relays)
Controls
• A switch, B switch, TAP/CTL switch
• DOWN button, UP button, EXIT button, EDIT button
• MODE knob, TIME/VALUE knob, PRE-DELAY knob, E.LEVEL knob, LOW knob, HIGH knob
Display
• Graphic LCD (128 x 64 dots, backlit LCD)
Connectors
• INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
• CTL 1,2/EXP jack: 1/4-inch TSR phone type
• USB COMPUTER port: USB type B
• MIDI (IN, OUT) connectors
• DC IN jack
Power Supply
• Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw
• 225 mA
Expected battery life under continuous use
Alkaline: Approx. 4.5 hours
* These figures will vary depending on the actual conditions of use.
Accessories
• Owner’s manual
• Leaflet “USING THE UNIT SAFELY”
• Alkaline battery (AA, LR6) x 4
Options (sold separately)
• AC adaptor: PSA-S series
• Footswitch: FS-5U, FS-5L
• Dual Footswitch: FS-6, FS-7
• Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5
Size and Weight
Width
• 170 mm / 6-3/4 inches
Depth
• 138 mm / 5-7/16 inches
Height
• 62 mm / 2-1/2 inches
Weight (including battery)
• 1.0 kg / 2 lbs 4 oz
* 0 dBu = 0.775 Vrms
Journey to New Sonic Frontiers With the SY-1, it’s never been easier to infuse your creative arsenal with BOSS’s legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music. Nominal Input Level
• INPUT, RETURN: -20 dBu
Input Impedance
• INPUT, RETURN: 2.2 M ohms
Nominal Output Level
• OUTPUT, SEND: -20 dBu
Output Impedance
• OUTPUT, SEND: 1 k ohms
Recommended Load Impedance
• 10 k ohms or greater
Bypass
• Buffered bypass
Controls
• Pedal switch
• GUITAR/BASS switch
• TYPE knob
• VARIATION knob
• TONE knob
• DEPTH knob
• EFFECT knob
• DIRECT knob
Indicator
• CHECK indicator (Serves also as battery check indicator)
Connectors
• INPUT jack: 1/4-inch phone type
• OUTPUT jack: 1/4-inch phone type
• SEND jack: 1/4-inch phone type
• RETURN jack: 1/4-inch phone type
• EXP/CTL jack: Stereo 1/4-inch phone type
• DC IN jack
Power Supply
• Alkaline battery (9 V, 6LR61)
• AC adaptor (PSA series: sold separately)
Current Draw
• 85 mA
Expected battery life under continuous use
• Alkaline: Approx. 3 hours
*These figures will vary depending on the actual conditions of use.
Accessories
• Owner’s manual
• Leaflet (“USING THE UNIT SAFELY,” “IMPORTANT NOTES,” and “Information”)
• Alkaline battery (9 V, 6LR61)
Options (sold separately)
• AC adaptor: PSA series
• Footswitch: FS-5U
• Dual footswitch: FS-6, FS-7
• Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
Size and Weight
Width
• 73 mm / 2-7/8 inches
Depth
129 mm / 5-1/8 inches
Height
59 mm / 2-3/8 inches
Weight (including battery)
450 g / 1 lb
* 0 dBu = 0.775 Vrms
*The specifications are subject to change without notice.
The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer sounds and BOSS first features. This single box provides pitch shifting, harmonies, detuning, and wild tremolo arm/flutter effects–all with simple, knob-based control. Nominal Input Level
• -20 dBu
Input Impedance
• 1 M ohms
Nominal Output Level
• -20 dBu
Output Impedance
• 1 k ohms
Dynamic Range
• 115 dBu or greater (Direct), 98 dBu or greater (Effect)
Connectors
• INPUT Jack, OUTPUT Jack A (mono)/ B, EXP Jack, AC Adaptor Jack (9 V DC)
Power Supply
• 9 V DC: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
• 50 mA (max.)
Accessories
• Dry Battery 9 V type (6F22/9 V)
Option
• AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5)
Size and Weight ( incl. battery )
Width
• 73 mm / 2-7/8 inches
Depth
• 129 mm / 5-1/8 inches
Height
• 59 mm / 2-3/8 inches
Weight
• 450 g / 0 lbs. 15 oz.
* 0 dBu = 0.775 Vrms
*The specifications are subject to change without notice.
Advanced Tone Tools for Serious Acoustic Players Anyone who plays an amplified acoustic guitar on stage knows what a challenge it is to get a sound that’s as inspiring as playing the instrument acoustically. The AD-10 is your solution to this age-old problem, offering advanced sound tools that enable you to achieve rich, natural acoustic tones every time you perform. At its core, the AD-10 is a fully featured, dual-channel acoustic preamp/DI pedal with premium audio quality, deep sound-shaping options, and flexible connectivity. On top of that, ambience, chorus, and delay effects are built in, eliminating the need to carry external sound processing. Specifications Nominal Input Level
• GUITAR IN 1,2: -10 dBu (Adjustable)
• RETURN: -10 dBu
Input Impedance
• GUITAR IN 1,2: 10 M ohms
• RETURN: 220 k ohms
Nominal Output Level
• SEND: -10 dBu
• LINE OUT L/PHONES, R/MONO: -10 dBu
• XLR OUT L, R: -10 dBu
Output Impedance
• SEND: 1 k ohm
• LINE OUT L/PHONES, R/MONO: 44 ohm
• XLR OUT L, R: 600 ohms
Mode
• Manual
• Memory
Number of Memory
• 10
Effects
• ACOUSTIC RESONANCE (3Type)
• COMP (2Type)
• 4 BAND EQ, LOW CUT
• BOOST
• CHORUS (3Type)
• DELAY (3Type)
• REVERB (3Type)
• ANTI-FEEDBACK (REDUCTION, NOTCHx2)
Phrase Loop
• 80 sec
Display
• 7 segments, 2 digits LED
Connectors
• GUITAR IN 1,2 jack: 1/4-inch phone type
• SEND: 1/4-inch phone type
• RETURN: 1/4-inch phone type
• XLR OUT L, R connectors: XLR type
• LINE OUT L/PHONES, R/MONO jacks: 1/4-inch phone type
• EXP/CTL1,2 jack: 1/4-inch TRS phone type
• USB COMPUTER port: USB type B
• DC IN jack
Power Supply
• AC adaptor
• Alkaline battery (AA, LR6) x 6
Current Draw
• 300 mA
Expected battery life under continuous use
• Alkaline battery: Approx. 6 hours
*These figures will vary depending on the actual conditions of use.
Accessories
• Owner’s manual
• Leaflet “USING THE UNIT SAFELY”
• AC adaptor
Options (sold separately)
• Expression Pedal: EV-30, FV-500H/L, Roland EV-5
• Footswitch: FS-5U
• Dual Footswitch: FS-6, FS-7 Size and Weight
Width
• 217 mm / 8-9/16 inches
Depth
• 161 mm / 6-3/8 inches
Height
• 65 mm / 2-9/16 inches
Weight (including batteries)
• 1.3 kg / 2 lbs 14 oz
* 0 dBu = 0.775 Vrms
NORD STAGE 3 88 KEY WEIGHTED HAMMER ACTION – FLAGSHIP KEYBOARD The Nord Stage 3 is the latest generation of the uber-successful Stage series continuing Nord’s vision of the ultimate instrument for the performing musician. This outstanding new flagship instrument features Nord’s latest award-winning technologies including the Nord Lead A1 Synth Engine with sample playback, the acclaimed Nord C2D organ, a greatly enhanced Piano Section and extensive hands-on Effects – all in one exceptional performance keyboard.
- OLED-displays for Program and Synth section
- Seamless transitions when changing programs
- Extended Split functionality with optional Crossfade
- Song List Mode
- Extended Morph Destinations
- Doubled memory (2GB) for the Nord Piano Library
- Greatly expanded polyphony (120 voices)
- Creative Filter presets
- Layer category
- Nord Lead A1 Synth Engine with Sample playback
- Dedicated OLED display for Oscillator functions
- Expanded Memory (480 MB) for the Nord Sample Library
- Extended Polyphony
- Super Wave category (S-wave)
- Nord C2D Organ Engine
- 2 new Principal Pipe Organ models
- Model 122 Vintage Rotary Speaker – available per Slot
- Physical Drawbars for Nord Stage 3 Compact
- Improved Delay with added Feedback filters and Analog Mode
- Filter Mode with Resonance
- Separate Compressor per Slot with Amount and Fast mode
- Separate Reverb per Slot with Bright mode
- PITCH: Allows for adjusting the pitch of the main oscillator.
- DETUNE: Adds a second oscillator which can be pitched separately from the main oscillator.
- SHAPE: Allows for shaping Classic waveforms using a traditional waveshaping method. Waveforms from the Wave and Formant categories are shaped using a spectral shaping process.
- SYNC: Emulates Hard sync by adding an additional oscillator that is the sync reference.
- WAVEFORM MIX (Dual Oscillator): Adds a second oscillator, providing a Sine, Triangle, Square or Saw wave. The pitch of the second oscillator can be adjusted separately.
- BELL MIX: Adds a dedicated “Bell” oscillator, which uses a special FM algorithm to create a good foundation for bell type sounds.
- NOISEMIX: Adds a White Noise element which can be mixed with the main oscillator.
- NOISEMIX 2: Adds a filtered and slightly resonant Noise element to the main oscillator.
- FREQ MOD 2 (FM): The main oscillator is frequency modulated by a second sine wave oscillator with several pitch offsets for the second oscillator (-12 to +48 semitones).
- FREQ MOD 3 (FM): The main oscillator is modulated by a combination of two additional oscillators with several pitch offsets to choose from (-12 to +48 semitones).
- RING MODULATION: In this mode the main oscillator waveform is multiplied with a sine wave of selectable relative pitch, for classic Ring Modulation sounds.
- SAMPLE PLAYBACK: The Nord Stage 3 Synth section has powerful sample playback capabilities and comes with an outstanding selection of samples from our Nord Sample Library. All samples can be tweaked creatively inside the Lead A1 Synth Engine and it is even possible to create and transfer your own samples using the Nord Sample Editor.
- 4 Assignable Audio Outputs – ¼”, 6,35 mm jacks, unbalanced
- Stereo Headphone output – ¼”, 6,35 mm stereo jack
- 1 Monitor input – 1/8″, 3,5 mm stereo jack
- Sustain Pedal – ¼”, 6,35 mm jack. Use a momentary pedal, like e.g, Roland DP-2, DP-6, Yamaha FC-4, FC-5, Fatar VFP1-25 etc.
- Sustain input compatible with Nord Triple Pedal (sold separately)
- Rotor Pedal – ¼”, 6,35 mm jack. Use a momentary pedal or a switch type pedal
- Organ Swell Pedal – ¼”, 6,35 mm TRS stereo jack. Use a Control/Expression pedal like e.g. Yamaha FC-7, Roland EV-5 etc.
- Control Pedal – ¼”, 6,35 mm TRS stereo jack. Use a Control/Expression pedal like e.g. Yamaha FC-7, Roland EV-5 etc.
- Program Change Pedal input – ¼”, 6,35 mm jack. Use a momentary two-button pedal like e.g. Boss FS-6, Boss FS-7 etc.
- MIDI In – 5 pin DIN connectors
- MIDI Out – 5 pin DIN connectors
- USB – type B connector for USB MIDI, Software Update and Sound Transfer
- Power Cord with IEC C14 connector
- User Manual
- Dust cover
- Sustain pedal
- Power cord
- Nord Sample and Piano DVDs
- USB cord
- SHIPPING WEIGHT: 24.00kg
BOSS KATANA 100 MKII 2×12″ GUITAR AMP COMBO Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Newly voiced variations are now available for all five amp characters, doubling the tonal options. The onboard effects categories have been expanded from three to five, providing even more real-time processing to choose from and the usability has been ramped up too, with a power amp input for modelers and multi-FX, easy stereo expansion for dual amp setups, updated editor software, and many other enhancements. • Stage-ready 100-watt combo amp with two custom 12-inch speakers
• Tube Logic design approach produces class-defying power, authoritative punch, and cutting presence
• Five unique amp characters (Clean, Crunch, Lead, Brown, and Acoustic), plus newly voiced variations for each
• Five independent effects sections (Booster, Mod, FX, Delay, and Reverb), with three selectable variations in each
• Dedicated Pedal FX for foot-controlled wah and pedal bend
• Updated BOSS Tone Studio software for customising your sound
• BOSS Tone Studio offers over 60 different BOSS effects, channel & global EQs, adjustable routing & more
• Power Amp In for preamps, modelers, and multi-effects
• Stereo Expand out to link with a second Katana MkII (100-watt models only)
• Eight Tone Setting memories for storing and recalling all amp and effect settings
• Power Control for achieving cranked-amp tone and response at low volumes
• Three Cab Resonance options (Vintage, Modern, and Deep), selectable from the panel or BOSS Tone Studio
• Mic’d cabinet emulation on the line, USB, and phones/recording outputs, with three Air Feel settings available in BOSS Tone Studio
• Optional GA-FC foot controller provides complete amp control, Tone Setting selection, effects on/off, expression pedal control
• Connections for up to two footswitches or an expression pedal
• Effect loop, with selectable series/parallel operation and adjustable level in BOSS Tone Studio
• Download and share Livesets at BOSS Tone Exchange
• Pro setups available at BOSS Tone Central
• Katana MkII Version 2 update available on the Downloads tab More Sounds, More Versatility The stage-class Katana MkII lineup picks up where the first generation left off, building on the same core tones and features that have made the series such a worldwide smash. If you loved the original Katana amps, you’ll love Katana MkII even more. And if you’re new to the party, get ready for sound, feel, and versatility that soars far beyond its price class. Five Amp Characters, Ten Overall Tones Katana MkII’s five primary amp characters offer everything from organic vintage tones to modern high-gain sounds, plus a dedicated voice optimized for acoustic-electric guitar. The characters have now been extended with newly voiced variations, providing a wider palette of tone options to craft your personal sound. Five Effects At Once Katana MkII now includes five simultaneous effects categories, putting the tone-shaping power of a massive pedalboard right inside your amp. Independent Booster, Mod, FX, Delay, and Reverb sections come loaded from the factory with three variations in each, providing 15 ready-to-play effects to choose from. Connecting to BOSS Tone Studio lets you dive much deeper if you want—customize the sections with over 60 different effect types, change the order with four different chains, and much more. Full-Throttle Sound Every Time You Plug In Backed by BOSS’s Tube Logic approach, Katana MkII delivers the authentic output distortion characteristics of genuine tube amplifiers, with the sound and feel becoming richer and more responsive as you turn up the volume. But unlike that classic tube amp, Katana MkII’s variable Power Control makes it easy to fly in the sweet spot without getting fired from the gig or kicked out of the house. Just throttle back the overall volume as needed to enjoy inspiring, cranked-amp sound anywhere you play, from bedroom to stage. Amplify Your External Gear The Katana-100/212 MkII rocks as a standalone amp, but it also excels as a powered cabinet for a favourite preamp, modeler, or multi-effects unit. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII’s preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. And with BOSS Tone Studio, the input can be easily optimised for your particular gear with a high-pass filter and adjustable gain. One-Touch Recall Of Custom Setups One of the Katana-100/212 MkII’s most powerful features is the ability to store favourite amp character and effects setups in Tone Setting memories for instant recall. After you’ve dialled in a sound with the panel controls, simply save it to the desired memory with a quick button hold. Eight Tone Settings (two banks of four) are available, with fast selection right from the panel. And for hands-free operation on the gig, just connect external footswitches or the GA-FC foot controller. Stereo Made Easy One Katana MkII sounds great, but playing two at once is even better. The new Stereo Expand feature makes linking two amps simple, with just one regular cable needed. You’re able to control everything from the master Katana MkII, with stereo-compatible effects like chorus, delay, reverb, and others distributed across both amps for a wide, immersive sound field. Stereo Expand is supported on all 100-watt Katana MkII models. Ready-To-Mix Direct Tones The Katana-100/212 MkII features line, USB, and phones/recording outputs with mic’d cabinet emulation, letting you send mix-ready amp tones to a PA system, computer DAW, or headphones. The direct sound can be shaped with three different Air Feel settings, which are accessible from BOSS Tone Studio. Two-channel USB operation is supported, allowing you to track in true stereo with many of Katana’s modulation, EQ, delay, and reverb effects. Compact Gig Commander The optional GA-FC foot controller is the perfect partner for the Katana-100/212 MkII. It connects with a single cable, requires no external power, and features a slim, rugged profile that takes up minimal space. With six footswitches, you can directly recall Tone Settings and independently turn the five effects sections on/off. The GA-FC also supports external footswitches and expression pedals, with default assignments that include tap tempo, bank selection, foot volume, and Pedal FX. A large variety of custom assignments are available via BOSS Tone Studio, including expression pedal control of up to three parameters at once. BOSS Tone Studio Enhancements BOSS Tone Studio has also evolved alongside the Katana MkII amplifiers. The interface has been updated with a refreshed look, and a number of parameters have been consolidated into the main screen for faster workflow. There’s also a dedicated Pedal FX category, making it easier to assign wah and pedal bend effects to a connected expression pedal. And if you’re a first-gen Katana owner, it’s possible to import your custom patches and use them all with Katana MkII. Specifications • Rated Power Output: 100watts
• Nominal Input Level: -10 dBu (1 M ohm)
• Nominal AUX IN Level: -10 dBu (20 k ohms)
• Nominal RETURN IN Level: -10 dBu (100 k ohm)
• Speakers: 2 x 12″ (30cm) • GENERAL CONTROLS: – Power switch
– Master knob
– Presence knob
– Power Control switch (STANDBY, 0.5 W, 50 W, 100 W)
– Cab Resonance switch (VINTAGE、MODERN、DEEP) • AMPLIFIER CONTROLS: – Variation button
– AMP Type knob (ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN)
– Gain knob
– Volume knob • EQUALIZER CONTROLS: – Bass knob
– Middle knob
– Treble knob • MULTI EFFECT CONTROLS: – Booster button
– MOD button
– FX button
– Delay button
– Reverb button
– Tap button
– Booster knob
– Mod knob
– FX knob
– Delay knob
– Reverb knob • TONE SETTING CONTROLS: – CH1 button
– CH2 button
– CH3 button
– CH4 button
– Panel button • STEREO EXPAND CONTROLS: – Stereo Expand Switch • INDICATORS: – Variation
– Acoustic
– Clean
– Crunch
– Lead
– Brown
– Booster
– Mod
– FX
– Delay
– Reverb
– TAP
– CH1
– CH2
– CH3
– CH4 • PANEL CONNECTORS: – Input jack: 6.35mm (1/4″) phone type
– Power Amp In jack: 6.35mm (1/4″) phone type
– Line Out jack: 6.35mm (1/4″) phone type
– Send jack: 6.35mm (1/4″) phone type
– Return jack: 6.35mm (1/4″) phone type
– REC Out/Phones jack: Stereo 6.35mm (1/4″) TRS phone type
– EXP Pedal/CTL CH1/CH2 jack: 6.35mm (1/4″) TRS phone type
– GA-FC jack: 6.35mm (1/4″) TRS phone type
– AUX IN jack: Stereo 3.5mm (1/8″) TRS phone type
– USB Port: USB B type
– AC IN jack
• Power Consumption: 77 W
• Accessories: Owner’s Manual, IEC Power Cable, GA-FC sticker • OPTIONS (sold separately): – Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
– Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
– GA Foot Controller (GA-FC) • DIMENSIONS: W670mm x D248mm x H484mm • WEIGHT: 19.8 kg *The specifications are subject to change without notice.
XD to Smart Media Card Adapter 
There are still many people that own equipment that utilise SmartMedia and xD card storage. While xD cards are more readily available, there is still a latent need for SmartMedia card storage devices. We have a small number of brand new xD to SmartMedia card adapters available for sale. We purchased these brand new from the Australian Casio EMI (Electronic Music Importer) distributor in 2007 as they were the state of the art compact storage medium of the day. If you have been looking for something that will allow you to use an xD card in your SmartMedia device – this is it. These are brand new, unused and in their original packaging.

- NOS Very Rare!
- Brand New & Unused
- Original Blister Packaging
There are still many people that own equipment that utilise SmartMedia and xD card storage. While xD cards are more readily available, there is still a latent need for SmartMedia card storage devices. We have a small number of brand new xD to SmartMedia card adapters available for sale. We purchased these brand new from the Australian Casio EMI (Electronic Music Importer) distributor in 2007 as they were the state of the art compact storage medium of the day. If you have been looking for something that will allow you to use an xD card in your SmartMedia device – this is it. These are brand new, unused and in their original packaging.
Boss Gt-1 Guitar Effects Processor – GT1 FX Pedal PREMIUM TONE FOR PLAYERS ON THE GO Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package. Flagship-class BOSS sound engine squeezed into a light and compact floor unit
Modern design with no hard edges enables safe transport in a guitar bag
Easy Select and Easy Edit functions for quickly choosing and tweaking patches
Four AA batteries provide up to seven hours of playing time for busking and mobile gigs
Onboard control switch and expression pedal; footswitch/expression pedal jack and USB
Download ready-to-play pro patches for free at BOSS Tone Central Exceptional Sound Thanks to its flagship-class GT sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There’s a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there’s even a looper to enhance your practice sessions and stage performances. Portable Tone Partner The GT-1 was designed for musicians on the move. It’s surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag’s accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs. Easy Patch Selection and Sound Creation With the GT-1, it’s simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning. BOSS Tone Central and BOSS Tone Studio At BOSS Tone Central, you’ll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialed-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central. Maximum Control in a Small Space The GT-1’s three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there’s even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1’s USB jack lets you record tones with your favorite DAW. SPECIFICATIONS Sampling Frequency 44.1 kHzAD Conversion 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. DA Conversion24 bits Effects 108 types Patches 99 (User) + 99 (Preset) Phrase Loop 32 sec Nominal Input Level INPUT: -10 dBu, AUX IN: -20 dBu Maximum Input Level INPUT: +7 dBu, AUX IN: 0 dBu Input Impedance INPUT: 1 M ohm, AUX IN: 27 k ohms Nominal Output Level OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu Output Impedance OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms Recommended Load Impedance OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater Controls DOWN switch, UP switch CTL1 switch
EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button, ENTER button, MENU button
1 knob, 2 knob, 3 knob
Expression pedal Display Graphic LCD (132 x 32 dots, backlit LCD) Connectors INPUT jack, OUTPUT (L/MONO, R)
jacks: 1/4-inch phone type
CTL2, 3/EXP2 jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB COMPUTER port: USB type B
DC IN jack Power Supply Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately) Current Draw 200 mA Expected battery life under continuous use Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.AccessoriesOwner’s manual
Leaflet “USING THE UNIT SAFELY”
Alkaline battery (AA, LR6) x 4Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5 SIZE AND WEIGHT Width 305 mm
12-1/16 inches Depth 152 mm
6 inches Height 56 mm Weight (including battery)1.3 kg
ZOOM ZOOM ARQ Aero RhythmTrak
ELECTRONIC MUSIC PRODUCTION AND LIVE PERFORMANCE INSTRUMENT Music is a voyage of discovery. One that now goes much further with the creation of the ZOOM ARQ Aero RhythmTrak. The ZOOM ARQ Aero RhythmTrak is an all-in-one production and live performance instrument which includes an integrated drum machine, sequencer, synthesizer, looper, and MIDI controller with a built-in accelerometer. Even more, ARQ is freedom. With its wireless Bluetooth® Ring Controller, you can escape the booth, move the music, and get in front of the crowd. o Base Station with 538 Sounds and 400 Presets o Drum Machine, Sequencer, Synthesizer o Looper, Clip Launcher, MIDI Controller o Wireless Bluetooth Ring Controller o 96 Velocity and Pressure Sensitive Pads o Three Axis Accelerometer o USB Port and SD Card Slot o On Board Mixer o Smart-Grip Detection Circuitry o Includes 240VAC Power Supply o Two Year Warranty o Ableton Live 9 Lite software download
You have never experienced anything like this before! The ARQ Aero Rhythm Trak from Zoom is an all-in-one production and live performance instrument with an integrated drum machine, sequencer, synthesizer, looper, clip launcher and MIDI controller. ARQ is a powerful and diverse standalone musical instrument. The AR-96 Base Station contains 468 Percussion/Drum and Instrument sounds, dozens of digital effects and a powerful sound engine that includes 70 “one-shot” sampled waveform sounds along with a powerful synthesizer that gives you the ability to create never heard before sounds. 531 different types of oscillator are on hand providing unbridled sonic variety. Choose from a myriad of digital effects including filtering, delay and reverb then along with sound shaping envelope generators you are only limited by the depth of your courage and imagination. You are also able to create completely original loops from onboard sounds or patterns and even by capturing external audio via dual 6.3mm (1/4″) inputs. Up to 32 loops may be played back simultaneously, forward or reversed, sliced, pitch-changed and synchronised to your chosen tempo. The Zoom ARQ consists of two powerful components, the AR-96 Base Station and the detachable AR-96C Ring Controller.
The Base Station houses all the inputs, outputs, on-board sounds and effects including 468 drum/instrument sounds, 70 types of synthesizer sounds and dozens of digital effects. Connections include dual line-level 6.3mm (1/4″) TRS jacks for sampling phrases into the looper and stereo 6.3m (1/4”) jacks for connecting to any line-level mixer, PA or studio monitoring system. Also included is a stereo 6.3mm (1/4”) headphone jack with a dedicated volume control. Additionally, a USB port allows for connections to a computer, while the SD card slot lets you save patterns and loops, import prerecorded audio and update firmware…I want one! ZOOM ARQ Aero RhythmTrak – Communication and Control The AR-96C Ring Controller communicates with its Base Station, as well as computer and iOS based DAWs via wireless Bluetooth LE. The AR-96C is a remarkable device featuring 96 velocity and pressure sensitive pads with aftertouch. The pads may be used for clip launching and playing drum sounds, instrument sounds and sequences. Any sound or musical phrase can be played chromatically or by any of the dozens of preset scales in any key. The Ring’s unique Grip Detection automatically prevents accidental triggering of the pads under your hands, while dedicated buttons at the top and bottom of the controller provide transport controls (Rec/Play/Stop) as well as multiple effects including filter, delay, reverb and master FX on/off. ZOOM ARQ Aero RhythmTrak – The Only Drum Machine for Performers Not only does ARQ allow you to create incredible drum parts and patterns, you can also use the Ring Controller as a live instrument. Play it while mounted to the Base Station, or remove it to take your performance to the front of the stage.
ARQ comes with a multitude of editable PCM drum and instrument sounds organised into 79 genre-specific kits, and you can also develop 20 kits of your own, complete with effects. Once you perform with ARQ, you’ll never use another drum machine again. ZOOM ARQ Aero RhythmTrak – It’s a Wireless MIDI Controller Use the Ring for wireless control of all your MIDI instruments and devices connected to your computer—samplers, synths, and drum machines, as well as MIDI-enabled effects processors. Its 96 pads are velocity-sensitive and can also send aftertouch (MIDI messages generated based on the pressure applied to the pads once they are being held down). ZOOM ARQ Aero RhythmTrak – The Accelerometer
The powerful 3 Axis Accelerometer generates MIDI control messages to alter sounds and effects in real time. The internal Lithium-Ion battery automatically charges when the ring is placed on the Base Station. southcoastmusic is an authorised Australian Zoom Reseller. When you buy the Zoom ARQ Aero Rhythm Trak from us you get the Base Station, Ring Controller, 240VAC power adapter, a free download of Ableton Live 9 LE, FREE shipping and a real TWO YEAR warranty. ZOOM ARQ Aero RhythmTrak Features and Specifications o Drum machine, sequencer, synthesizer, looper, clip launcher and MIDI controller in one device o 468 drum/instrument sounds (“one-shot” sampled waveform sounds) o 70 types of synthesizer sounds o DSP Engine generates dozens of digital effects o Use up to 5 effects simultaneously, applied to overall drum kit or individual drum sounds o Ring Controller can be used wirelessly as a handheld aerial instrument and to launch audio clips from DAW software o 96 velocity- and pressure-sensitive pads and 160 programmable colour LEDs o Grip Detection to automatically prevent accidental note triggering o 3-axis accelerometer for altering effects parameters and sending MIDI control messages o Dedicated buttons for sequence REC/PLAY/STOP and for effects on/off o Split mode allows one instrument to be assigned to multiple pads for ease of input o Onboard mixer for setting volumes and muting/soloing parts o Flexible pre-count, quantise, swing and beat settings o Audible and/or visual click o Dual 6.3mm (1/4″) inputs for phrase recording and loop creation o Audio capture from patterns and songs from SD card or from incoming audio signal o Create up to 99 mono or stereo loops, play up to 32 simultaneously o Loop-start and end points can be set on the fly or adjusted manually o Loop-tempo synchronization, pitch change and reverse playback functions o Programmable synthesizer engine o 531 oscillator types and 16 voice polyphony o Sound-shaping controls include effects, envelope generators and stepped and smooth modulation o Play sounds chromatically, or choose from dozens of preset scales in any key o Adjustable pad velocity and pressure sensitivity o Dedicated tap-tempo button for synchronization o Selectable LED light-show animations o Dual 1/4″ line outputs and separate 1/4″ headphone output with dedicated volume control o USB port and SD card slot o Bluetooth LE for low power consumption and extended usage times For the first time in history, musicians can visualise their music as a true loop, up to 5 parts at a time. ARQ supports both Step and Real Time Sequencing allowing users to change the timbre or note of each part with the touch of a button. Up to 32 parts can be played back simultaneously and up to 400 patterns can be combined in any order to form a complete song which can then be flattened into an audio loop that can be played back from a single pad . . . all without the use of a computer. ZOOM ARQ Aero RhythmTrak Break Out. Break Free. Break Away . . . Take your performance to places you’ve never been before. Express yourself and get closer to your audience. Open up a world of new options for music production. Create in ways that were simply not possible until now. The Zoom ARQ . . . see how instrumental an instrument can be. Zoom has a long history of thinking outside the square bringing new technology and features to inspire and empower Music Creators, Composers and Artists . . . now with the ARQ, Zoom has taken everything to another level.
southcoastmusic is an authorised Australian ZOOM reseller
ELECTRONIC MUSIC PRODUCTION AND LIVE PERFORMANCE INSTRUMENT Music is a voyage of discovery. One that now goes much further with the creation of the ZOOM ARQ Aero RhythmTrak. The ZOOM ARQ Aero RhythmTrak is an all-in-one production and live performance instrument which includes an integrated drum machine, sequencer, synthesizer, looper, and MIDI controller with a built-in accelerometer. Even more, ARQ is freedom. With its wireless Bluetooth® Ring Controller, you can escape the booth, move the music, and get in front of the crowd. o Base Station with 538 Sounds and 400 Presets o Drum Machine, Sequencer, Synthesizer o Looper, Clip Launcher, MIDI Controller o Wireless Bluetooth Ring Controller o 96 Velocity and Pressure Sensitive Pads o Three Axis Accelerometer o USB Port and SD Card Slot o On Board Mixer o Smart-Grip Detection Circuitry o Includes 240VAC Power Supply o Two Year Warranty o Ableton Live 9 Lite software download
You have never experienced anything like this before! The ARQ Aero Rhythm Trak from Zoom is an all-in-one production and live performance instrument with an integrated drum machine, sequencer, synthesizer, looper, clip launcher and MIDI controller. ARQ is a powerful and diverse standalone musical instrument. The AR-96 Base Station contains 468 Percussion/Drum and Instrument sounds, dozens of digital effects and a powerful sound engine that includes 70 “one-shot” sampled waveform sounds along with a powerful synthesizer that gives you the ability to create never heard before sounds. 531 different types of oscillator are on hand providing unbridled sonic variety. Choose from a myriad of digital effects including filtering, delay and reverb then along with sound shaping envelope generators you are only limited by the depth of your courage and imagination. You are also able to create completely original loops from onboard sounds or patterns and even by capturing external audio via dual 6.3mm (1/4″) inputs. Up to 32 loops may be played back simultaneously, forward or reversed, sliced, pitch-changed and synchronised to your chosen tempo. The Zoom ARQ consists of two powerful components, the AR-96 Base Station and the detachable AR-96C Ring Controller.
The Base Station houses all the inputs, outputs, on-board sounds and effects including 468 drum/instrument sounds, 70 types of synthesizer sounds and dozens of digital effects. Connections include dual line-level 6.3mm (1/4″) TRS jacks for sampling phrases into the looper and stereo 6.3m (1/4”) jacks for connecting to any line-level mixer, PA or studio monitoring system. Also included is a stereo 6.3mm (1/4”) headphone jack with a dedicated volume control. Additionally, a USB port allows for connections to a computer, while the SD card slot lets you save patterns and loops, import prerecorded audio and update firmware…I want one! ZOOM ARQ Aero RhythmTrak – Communication and Control The AR-96C Ring Controller communicates with its Base Station, as well as computer and iOS based DAWs via wireless Bluetooth LE. The AR-96C is a remarkable device featuring 96 velocity and pressure sensitive pads with aftertouch. The pads may be used for clip launching and playing drum sounds, instrument sounds and sequences. Any sound or musical phrase can be played chromatically or by any of the dozens of preset scales in any key. The Ring’s unique Grip Detection automatically prevents accidental triggering of the pads under your hands, while dedicated buttons at the top and bottom of the controller provide transport controls (Rec/Play/Stop) as well as multiple effects including filter, delay, reverb and master FX on/off. ZOOM ARQ Aero RhythmTrak – The Only Drum Machine for Performers Not only does ARQ allow you to create incredible drum parts and patterns, you can also use the Ring Controller as a live instrument. Play it while mounted to the Base Station, or remove it to take your performance to the front of the stage.
ARQ comes with a multitude of editable PCM drum and instrument sounds organised into 79 genre-specific kits, and you can also develop 20 kits of your own, complete with effects. Once you perform with ARQ, you’ll never use another drum machine again. ZOOM ARQ Aero RhythmTrak – It’s a Wireless MIDI Controller Use the Ring for wireless control of all your MIDI instruments and devices connected to your computer—samplers, synths, and drum machines, as well as MIDI-enabled effects processors. Its 96 pads are velocity-sensitive and can also send aftertouch (MIDI messages generated based on the pressure applied to the pads once they are being held down). ZOOM ARQ Aero RhythmTrak – The Accelerometer
The powerful 3 Axis Accelerometer generates MIDI control messages to alter sounds and effects in real time. The internal Lithium-Ion battery automatically charges when the ring is placed on the Base Station. southcoastmusic is an authorised Australian Zoom Reseller. When you buy the Zoom ARQ Aero Rhythm Trak from us you get the Base Station, Ring Controller, 240VAC power adapter, a free download of Ableton Live 9 LE, FREE shipping and a real TWO YEAR warranty. ZOOM ARQ Aero RhythmTrak Features and Specifications o Drum machine, sequencer, synthesizer, looper, clip launcher and MIDI controller in one device o 468 drum/instrument sounds (“one-shot” sampled waveform sounds) o 70 types of synthesizer sounds o DSP Engine generates dozens of digital effects o Use up to 5 effects simultaneously, applied to overall drum kit or individual drum sounds o Ring Controller can be used wirelessly as a handheld aerial instrument and to launch audio clips from DAW software o 96 velocity- and pressure-sensitive pads and 160 programmable colour LEDs o Grip Detection to automatically prevent accidental note triggering o 3-axis accelerometer for altering effects parameters and sending MIDI control messages o Dedicated buttons for sequence REC/PLAY/STOP and for effects on/off o Split mode allows one instrument to be assigned to multiple pads for ease of input o Onboard mixer for setting volumes and muting/soloing parts o Flexible pre-count, quantise, swing and beat settings o Audible and/or visual click o Dual 6.3mm (1/4″) inputs for phrase recording and loop creation o Audio capture from patterns and songs from SD card or from incoming audio signal o Create up to 99 mono or stereo loops, play up to 32 simultaneously o Loop-start and end points can be set on the fly or adjusted manually o Loop-tempo synchronization, pitch change and reverse playback functions o Programmable synthesizer engine o 531 oscillator types and 16 voice polyphony o Sound-shaping controls include effects, envelope generators and stepped and smooth modulation o Play sounds chromatically, or choose from dozens of preset scales in any key o Adjustable pad velocity and pressure sensitivity o Dedicated tap-tempo button for synchronization o Selectable LED light-show animations o Dual 1/4″ line outputs and separate 1/4″ headphone output with dedicated volume control o USB port and SD card slot o Bluetooth LE for low power consumption and extended usage times For the first time in history, musicians can visualise their music as a true loop, up to 5 parts at a time. ARQ supports both Step and Real Time Sequencing allowing users to change the timbre or note of each part with the touch of a button. Up to 32 parts can be played back simultaneously and up to 400 patterns can be combined in any order to form a complete song which can then be flattened into an audio loop that can be played back from a single pad . . . all without the use of a computer. ZOOM ARQ Aero RhythmTrak Break Out. Break Free. Break Away . . . Take your performance to places you’ve never been before. Express yourself and get closer to your audience. Open up a world of new options for music production. Create in ways that were simply not possible until now. The Zoom ARQ . . . see how instrumental an instrument can be. Zoom has a long history of thinking outside the square bringing new technology and features to inspire and empower Music Creators, Composers and Artists . . . now with the ARQ, Zoom has taken everything to another level.
southcoastmusic is an authorised Australian ZOOM reseller CASIO DC09 KEYBOARD DUST COVER The Casio DC09 is a great product and simply ideal for protecting your valuable Digital Piano or Keyboard. The generous proportions and stretchy material make it perfect for most 76 and 88 note keyboards. o Great Protection: The breathable layer is perfect for keeping your keyboard clean and safe against animal hair, dust, dirt and sunlight. o Stretchable & Adjustable: Large enough for 76 note keyboards and portable 88 note digital pianos. o Secure Fit: The DC09 features a draw-through nylon cord and locking clasp to provide a secure fit. o Elegant: The DC09 adds a touch of elegance and mystery…”whats under the cover?” o Machine Washable: If your DC09 Dust Cover gets dirty simply drop it in your washing machine and enjoy your newly shining dust cover!
Always wash separately and hand wash if possible to extend its lifespan. o Will Fit most Keyboard Brands: The benefits of the DC09 Dust cover are not just confined to Casio. Many of the Digital Pianos and
Keyboards from brands such as Yamaha, Kawai, Roland, Kurzweil, Korg, Nord and more will fit. o Guaranteed to last with a One Year warranty and our friendly customer service.