24-bit Digital Studio CanvasNow there’s a compact, portable, USB bus powered MIDI solution, perfect for your laptop. The Edirol SD-20 gives you the right number of sounds, and works with your computer no matter what its age: you can connect through USB or serial ports. And its compact size makes it easy to connect and create anywhere.Perfect for laptop recording.The Edirol SD-20 Studio Canvas MIDI sound module is a compact, portable, USB-powered MIDI solution that delivers the right number of sounds and works with your computer — even older models. The MIDI interface connects to USB or serial ports and its small size makes it easy to hook up and create music anywhere. The Edirol SD-20 includes a 32-part MIDI synthesizer with 64-voice polyphony, 660 preset sounds, and 23 drum sets in GM2/GS, XGlite which provide realistic sounds for all genres from classical to pop. Other features include optical S/PDIF output, reverb and chorus, and a USB cable.
ROLAND UA55 QUAD CAPTURE AUDIO INTERFACE With a pair of premium VS Preamps onboard, plus superb 24-bit/192 kHz audio quality, ultra-low latency performance, and convenient USB bus power, QUAD-CAPTURE sets a new standard for portable USB 2.0 audio interfaces.   roland ua55 scmusic   Its compact, durable design and pristine sound makes it the perfect foundation for portable, multichannel computer-based productions on the go. With quality and performance that far exceeds its size and price, QUAD-CAPTURE stands at the head of its class. – Two combo XLR/TRS inputs with premium mic preamps (VS Preamps), two TRS outputs, coaxial I/O, headphone out, and MIDI I/O. – Graphical Control Panel software provides fast, intuitive control of the VS Preamps. – Phantom power, ground lift, and Hi-Z switches. – One-click AUTO-SENS function intelligently sets optimal input levels for the preamps. – Extreme low-latency VS Streaming driver. – Low-noise, wide-range power supply. – Compact with durable aluminum body and Direct Box functionality. – Bundled with Cakewalk SONAR X1 LE. ASIO and VST are trademark of Steinberg Media Technologies GmbH. Pro Performance for Portable Production VS Preamps QUAD-CAPTURE boasts two premium-grade, digitally controlled mic preamps (VS Preamps) made from the same high-grade components as the preamps found in Roland’s V-Studio 700 and M-400 digital mixer. Two XLR/TRS combo inputs are provided for the preamps, plus independent phantom power, low-cut filter, phase invert, and digital compression for each channel. The VS preamps can be controlled easily and intuitively with the included graphical Control Panel software (Mac/PC). One-Click AUTO-SENS Never before has it been faster or easier to set perfect input levels—simply activate the AUTO-SENS feature with the push of a button, play your connected instruments, and QUAD-CAPTURE automatically sets the ideal recording level for each input. Whether you’re a beginner or a professional, AUTO-SENS is great for quick, fail-safe recordings, saving you setup time and letting you focus on where it starts… the performance. VS Streaming QUAD-CAPTURE offers incredible stability and industry-leading low-latency USB performance via Roland’s proprietary VS Streaming technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac). Low-Noise Power Supply One of QUAD-CAPTURE’s key “behind-the-scenes” features is its low-noise, wide-ranging power supply. Designed to deliver a clean, balanced input and output, it provides a reliable foundation for any professional audio application or environment. When driven by the USB bus power supply, QUAD-CAPTURE’s power is regenerated, providing the analog circuitry ideal voltage for the very best sound quality and efficiency in mobile environments. Aluminum Build, DI Functionality QUAD-CAPTURE is small, strong, and housed in a road-tough aluminum body, so you can transport it anywhere with the confidence that its premium internal components are securely protected. For live-concert environments, QUAD-CAPTURE also provides Direct-Box (DI) functionality, essential for noise-free live stage use. SONAR X1 LE Bundle Every QUAD-CAPTURE package includes a complimentary copy of SONAR X1 LE software for PC that’s designed to work fluidly and seamlessly with the interface. Derived from Cakewalk’s award-winning SONAR X1 DAW software, the LE version give you a powerful set of software tools for writing, recording, editing, and mixing your music. Remember, our price includes Australia-wide Delivery and Transit Insurance!
30Watts – 6.5″ speaker fab tone, big output, and you can take your music anywhere! Versatile and portable, the new CM-30 CUBE Monitor delivers 30 watts of audio punch through a rugged, high-quality 6.5″ coaxial 2-way speaker with stereo preamp. The CM-30 is ideal for home-studio and wide-ranging monitoring applications, but it can be used for live monitoring onstage as well. Ultra-versatile monitor for studio, stage, and more 6.5″ coaxial, 2-way speaker with stereo preamp 30-watt output 3 input channels, with one XLR input for mic/line and 2 additional Aux inputs Stereo Link function for stereo connection between two units, for a total of up to 8 stereo inputs and 2 mono mic/line inputs Metal grill cover, corner protectors, and handle grip for easy transport
EDIROL by ROLAND M-10DX 10 CHANNEL DIGITAL MIXER – Digital Effects & Spectrum Analyser   o 10-channel full digital mixer with M-16DX flagship features o 3-band EQ controls (Q & Freq.) with graphic LCD for precise tone shaping o Portable, all-in-one design o “Room Acoustic Control” for instant automatic room compensation o Built-in Studio quality effects, including COSM insert effects, reverb effects     and finalize effects o Flexible analog I/O and digital output, including two high-quality mic preamps o 240V AC adaptor included The Edirol/Roland M-10DX is a compact, affordable digital audio mixer for project studios, video editing workstations, home studios, etc. Based on the M-16DX, the M-10DX combines an even smaller profile with powerful DSP processing for a mixer that fits within the budget and size constraints of any project studio.  The M-10DX packs an amazing amount of high-end features into its small frame, including a 24-bit/96kHz processing engine and a backlit LCD so you can see the effects in operation, as well as a graphical spectrum analysis of the audio signal. The M-10DX delivers a 24-bit 96kHz mixing environment with built-in DSP processing and control. The mixer features 1o inputs of balanced TRS 6.3mm (1/4″) phono connections and two XLR microphone inputs on channels one and two. Channels 3/4, 5/6, 7/8 and 9/10 are stereo paired for keyboards and stereo line devices. Digital stereo I/O is supplied with S/PDIF coaxial and optical Tos-link connectors. The mixer’s internal DSP engine features plenty of high quality effects and mastering processing. Room Acoustic Control uses a built-in microphone to analyse room acoustics and compensate for the frequency response of your studio. The M-10DX packs all the featured by digital console users in a compact, space efficient unit with an affordable price. m_10dx_top_gal 24-Bit 96kHz Resolution The M-10DX is a compact and powerful mixing solution, bringing the high 24-bit 96kHz environment to home and desktop studios. Room Acoustic Control Processing Room Acoustic Control uses a built-in microphone to analyze room acoustics and compensate for the frequency response of your studio. Powerful DSP Powerful DSP processors include mastering processors, graphic EQ, echo and reverb effects. EDIROL by ROLAND M-10DX 10 CHANNEL DIGITAL MIXER features and specifications: Number of Input Channels – 10 channels AD/DA Conversion – 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB) – 48.0 kHz: 20 Hz to 22 kHz (+3/-3 dB) – 44.1 kHz: 20 Hz to 20 kHz (+3/-3 dB) Residual Noise Level (IHF-A, typ.) – MAIN MIX LEVEL knob = -∞ – Channel LEVEL knobs = -∞ – MAIN MIX LEVEL knob = U – Channel LEVEL knobs = -∞: -88 dBu – MAIN MIX LEVEL knob = U – Channel LEVEL knobs = U: -82 dBu Nominal Input Level – MIC connectors 1–2: -60 to -10 dBu – LINE IN jacks 1–2: -40 to +10 dBu * Maximum input level: Nominal input level + 22 dB – LINE IN jacks 3–10: +0 dBu – LINE IN jacks 9–10 (RCA pin type): -10 dBu, * Maximum input level: Nominal input level + 18 dB Input Impedance – MIC connectors 1–2: 2.7 kΩ – LINE IN jacks 1–2: 28 kΩ – LINE IN jacks 3–8: 20 kΩ – LINE IN jacks 9–10 (RCA pin type): 20 kΩ Nominal Output Level – +0 dBu, * Maximum output level: Nominal Output Level + 22 dB Recommended Load Impedance – 10 kΩ or greater Display – Graphic LCD 122 x 32 dot (with back-light) Connectors – MIC connectors 1–2: XLR type (balanced/phantom power +48 V) – LINE IN jacks 1–10: 6.3mm (1/4″) TRS phono (balanced) – LINE IN jack 1: supports use of hi-impedance – LINE IN jacks 9–10: RCA pin type – MAIN OUT jacks L–R: 6.3mm (1/4″) TRS phono (impedance balanced) – AUX SEND jack: 6.3mm (1/4″) TRS phono (impedance balanced) – 2 TRACK OUT jacks L–R: RCA pin type – DIGITAL OUTPUT jack/connector: Optical type, Coaxial type – PHONES jack: Stereo 6.3mm (1/4″) TRS phono – CTRL ROOM jacks L–R: 6.3mm (1/4″) phono (impedance balanced) DSP processing – Room Acoustic Control (built-in microphone) Finalize – Enhancer/Multi-band Compressor-Limiter Insertion effects – Power compressor/Vocal enhancer/Narration enhancer, Echo/Reverb: Short   echo/Echo/Room reverb/Small hall reverb/Large hall reverb Power Supply – DC9V (240V AC adaptor) included – Alkaline dry battery LR6 (AA) type x 8 or Nickel metal-hydride battery (HR15/51) x 8 Current Draw – 950 mA, Expected battery life under continuous use (figures will vary depending on actual conditions of use) – Nickel metal-hydride: 3 hours – Alkaline: 1.5–2 hours Phantom Power – +48 V/5 mA (each input) Accessories – Owner’s manual, 240V AC adaptor Warranty – One Year Dimensions – W198.6mm x H60.9mm x D262.2mm (7.81″ x 2.39″ x 10.32″) Weight – 1.3 kg (2lbs 14oz) OUR PRICE INCLUDES AUSTRALIA-WIDE DELIVERY!
Setting New Standards in Portable MIDI Control Introducing the next generation of EDIROL by ROLAND MIDI keyboard controllers. As well as providing more physical controls than previous models, the PCR-800 also offers new innovative and intuitive controls. This controller is solidly built, and optimised for both music production and live performance. The rear panel of the keyboard is free of connections so that you can easily have a computer display (e.g. LCD monitor), ASCII keyboard, mouse & mouse pad, or laptop computer behind the keyboard — in the ideal position for use. This is especially beneficial for educational users in classrooms where space is often restricted. All connections are located on the left side – USB, MIDI IN/OUT plus separate Hold and Expression pedal ports. The PCR keyboard works with USB bus power. AC adaptor not required. (The optional PSB series AC Adaptor is sold separately.) A MIDI Merge capability from the MIDI input to either the MIDI output (or to the computer via USB) is also provided, and is convenient for advanced MIDI systems.
Compact Bass Amp with COSM Modeling and More! Roland have been building World Class Compact Bass Guitar Amplifiers for more than 25 years and when it comes to compact Bass Amplifiers, the Roland Cube 30 Bass is in a class all its own. Roland Cubes are built like the proverbial outhouse and have a sonic presence that has to be heard to be believed. This powerful and lightweight amp combines a 30 watt rms power amplifier with a custom designed 10-inch 2-way speaker with DSP modeling to crank out a range of popular bass amp sounds. There’s also onboard compression, 3-band EQ and digital effects making the Cube 30 Bass Amp simply incredible value. Tight, Punchy Sound The Roland Cube 30 Bass gives bass players loud and punchy bass tones and its compact size makes it supremely portable. Using a 30-watt amp and 10-inch coaxial speaker system—with powerful low end and an individual tweeter for clearer highs, this compact amp will knock your socks off! Onboard compression and 3-band EQ let you shape the tone any way you want. COSM Bass Amp Modeling Thanks to Roland’s COSM technology, the Cube-30 Bass can convincingly model six of the most popular bass amps of all time! Imagine dialling in an Acoustic Bass360,  Ampeg Concert 810, Fender Bass Man and more to boot. There’s even an “Octave Bass” setting which adds a tone one octave below the original note for a truly earth-shaking sound. Onboard DSP Effects Roland were one of the original innovators of Digital Signal Processing or DSP as its more commonly known nowadays. With the Roland Cube’s onboard DSP effects, you can dial in a palate of impressive and useable effects without having yto deal with complicated setups. The Roland Cube 30 Bass includes everything you need: studio quality reverb and digital delay plus bass player’s essentials like chorus and flanger. There’s even a T-Wah effect for adding a sweeping filtered sound to your tone – great for funk bass…this alone is worth the price of admission! A Marvel of Convenience Regardless of whether you are practicing at home, laying down the groove at Church on Sunday or tracking in the studio, the Roland Cube 30 Bass will get the job done. With a 6.3mm (1/4″) Recording/Headphones output, you can connect directly to a mixing console or to a pair of headphones. A dedicated Shape switch makes it easy to instantly change your tone. Whether for practice or performance, nothing beats the Roland Cube 30 Bass! Features Compact bass amplifier with 30-watt/10-inch coaxial 2-way speaker design 6 types of COSM bass amp models including octave bass sound Convenient Shape switch for instant tonal variation 5 high-quality DSP effects: reverb, delay, chorus, flanger and T-Wah Onboard 3-band EQ and compression with simple knob-based controls Auxiliary and Footswitch inputs; Recording/Headphones output One Year Australia-wide Warranty
BOSS SDE-3 Dual Digital Delay Pedal The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic ’80s-era rackmount delay favored by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colorful dual-delay textures. • The iconic sonic soul of the Roland SDE-3000 rackmount delay in a BOSS compact pedal • Beautiful vintage digital delay tones with expanded creative range • Distinctive modulation with independent Rate and Depth knobs • Hi Cut control for shaping the high-frequency amount • Variable Offset feature for creating unique sounds with a secondary delay line • Adjustable maximum delay time: 800 ms (mono/stereo) or 1600 ms (mono) • Two stereo delay options: panning and discrete stereo • Versatile output modes: stereo, wet/dry, and dry mute (mono or stereo) • Tap tempo and carryover functions • Jack for extended control with up to two footswitches or an expression pedal • TRS MIDI input for syncing to external MIDI clock signals • BOSS five-year warranty • Compact Legend Introduced by Roland in 1983, the SDE-3000 is revered for its beautifully rich sound and distinctive modulation. The coveted SDE tone was realized through a finely tuned digital engine and the non-linear behaviors of the supporting analog circuitry, including magnetic saturation in the anti-alias filter, evolving modulation produced by the components of the time, and an altered triangle LFO shape. The SDE-3 brings the authentic vibe of this classic delay to a pedalboard-friendly BOSS compact, enhanced with innovative creative features for every musical style. Vintage Colour and Character Dripping with warmth and musicality, the SDE-3 elevates your tone with endlessly evocative delay sounds. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs that expand your sonic potential. Explore retro single delays and ’80s-style mod/delay combos. Or tweak the mod and high-cut controls to conjure moody, atmospheric tonalities for ambient, chill, and lo-fi music. Offset Magic Along with reproducing the SDE-3000’s famous mono sound, the SDE-3 includes a powerful Offset feature to create interesting tones with two simultaneous delays. With one simple control, you can instantly add a second delay to the primary delay for a wealth of mono and stereo colours. Doubled Delays Turning the Offset knob up to its center position introduces a second delay that’s 1–100 ms longer than the primary delay. For example, if the primary delay is 400 ms and the Offset is 10 ms, the second delay’s time is 410 ms. Coupled with the SDE-3’s time, feedback, and highly adjustable modulation controls, you can craft deep delay tones unavailable with typical delay pedals. Timed Dual Delays In the second half of its range, the Offset knob produces a shorter second delay that’s based on the primary delay time. Use the pedal’s tap tempo function to determine the quarter-note value for the primary delay. Next, turn the knob to sweep the second delay’s time between eighth-note and dotted-eighth subdivisions. This lets you introduce a variety of rhythmic effects that sync with your music. Multiple Output Modes The versatile SDE-3 provides output configurations for any stage or studio scenario. Run it in mono for basic setups. Play in true stereo with discrete left/right delays or a panning mode for ultra-wide sounds that move across the stereo field. Send dry and direct feeds to two amps for wet/dry setups. Or mute the direct sound entirely for studio mixing and parallel effect rigs. Modern Workflow The SDE-3 offers numerous control options to enhance your performances. Press and hold the pedal switch to enable the tap tempo function. Or use the TRS MIDI input to receive clock sync signals from DAWs, pedals, and drum machines. Connect external footswitches for on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
Rotosound RTC1 The Crusader Hand Wired Chorus Pedal Hand Built in the UK Designed by famed electronics wizard, John Oram of VOX and TRIDENT fame, the Rotosound Crusader is a hand made Chorus pedal delivering lush, musical, analogue width and warmth to your tone. The Crusader features a very warm, analogue chorus tone that can be blended with the original signal using to the Level control making this much more versatile than the average chorus pedal. This feature allows you to mix the level of chorus effect and dry sound from no effect at all up to a 50/50 mix. Being able to blend in the chorus effect using the level control is a superb addition and not found on many other chorus units on the market. This allows for fairly extreme setting of the rate and depth to become musical when small amounts of the chorus effect are blended in for some unique sounds. With the LED flashing rhythmically to illustrate the setting of the rate knob, the Crusader delivers a superbly warm analog chorus sound reminiscent of the early BOSS/ROLAND pedals and effects processors with the added ability to take things further with a more comprehensive control over the speed of the “rate”. So much so, that the last segment of travel on the knob delivers a simulation of a Leslie rotary speaker. The chorus sound that was all over many iconic 80s recordings is an awesome effect. Rotosound have made this effect even more useable. By using the mix knob to blend in a small amount of the chorus effect, there’s plenty of shading of the ‘enhanced tonality’ type that could work in many musical genres. With rate and depth up full, you can even add in a little ring modulation flavour. This handbuilt Rotosound pedal is part of a series that was built in incredibly small numbers making it a real collectors item. We have one only – brand new and unused. • Hand built by Rotosound in Kent, England • Designed by John Oram of VOX & TRIDENT history • Chorus effect can be mixed from minimum to maximum with LEVEL control • High Headroom • Smooth wide range control of rate and depth • Audio dynamics controller providing noise reduction • True bypass switching • Authentic components and hand wired assembly methods • Authentic 60’s design techniques using today’s technological approach • Super low power LED indicating Unit Powered On and Effect Rate Speed • Input socket for power supply connection (9 volt to 18 volt internally regulated) • One Year Warranty Using John’s considerable experience with shaping sound, and Rotosound’s painstaking attention to detail, these pedals are built to deliver studio grade performances, are intuitive to use and have impressive sonic capabilities. The pedals incorporate todays technology for consistency and sustainability combined with real 1960’s design for style and tone. They are hand wired and built in the UK by Rotosound using authentic components. Each pedal is finished in a durable pressed steel box in a distinctive range of eye-catching coloured hammer powder coatings.
BOSS CH-1 SUPER CHORUS Pedal The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers.
  • Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards
  • Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound
  • Features Mono input and Stereo outputs for connection to dual amps
  • BOSS 5-year warranty
The BOSS CH1 Super Chorus pedal delivers classic clean and shimmering chorus tones and is arguably the best-selling chorus pedal on the planet. Easy to setup and extract a great sound from – the BOSS CH1 Super Chorus pedal’s four tactile, onboard controls let you tweak your chorus sound with effect level, EQ, rate and depth controls. Crank up the rate for a dizzying psychedelic twist – or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave. Spread your wings and connect two amps to use the BOSS CH-1 Super Chorus’s two outputs for an incredible stereo chorus effect – the sound is enourmous, both live onstage and in the studio. BOSS guitar pedals: rugged, reliable, more than 10,000,000 sold More than 10,000,000 BOSS guitar and bass effects pedals have been sold to players worldwide, including such top players as Yngie Malmsteen, Dave Navarro, John Petrucci, Marty Friedman, Steve Vai and Joe Satriani. You will have heard BOSS pedals on some of the greatest recordings of all time! The reason for the success is clear: not only do BOSS effects pedals sound great – they are built like tanks and designed to provide years of inspirational musical pleasure. What’s more, BOSS back their pedals up with an industry leading five year warranty! BOSS CH-1 Super Chorus Effects Pedal Features: o Effect Level, EQ, Rate, and Depth controls o Input Impedance: 1 Mohms o Output Impedance: 10 Kohms or greater o Residual Noise Level: -95dBu (IHF-A, Typ.) o Connectors: Input Jack, Output Jack A (mono)/ B, AC Adapter Jack (DC 9V) o Power Supply: 9V DC, either a Dry Battery 9V type or an AC Adapter o Current Draw: 22 mA (DC 9V) o Accessories: Dry Battery 9V type o Optional AC Adapter – Roland PSA-240S o Dimensions: W 2-7/8″ x D 5-1/8″ D x H 2-3/8″ o Weight: 15 oz o Warranty: FIVE Years Boss pedals purchased from authorised Australia Retailers such as southcoastmusic are covered by an Australian Exclusive Five Year Warranty
BOSS TE-2 TERA ECHO PEDAL Make Your Playing Soar with Majestic Ambience Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb. Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP Rich, spacious echo and ambience effects Dramatically enhances the direct tone, but never overwhelms it Freeze function holds the ambient sound for lead backing and sound effects Ultra-responsive to volume changes and playing dynamics Wide range of sound adjustment with simple controls Mono/stereo input and output Make Your Playing Soar with Majestic Ambience Multi-Dimensional Processing for Superior Tone Roland’s innovative Multi-Dimensional Processing (MDP) analyzes audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression. TE-2: Inspirational Echo Thanks to MDP, the TE-2 delivers an amazing new ambience effect that satisfies and inspires. Complex internal processing produces an incredibly deep and spacious sound, dramatically enhancing the straight guitar tone without overwhelming it. Through the TE-2’s simple, familiar stompbox controls and incredible sensitivity to your playing dynamics, an extremely wide range of sounds can be achieved. And with the expressive Freeze function, you can hold the current effect sound to create rich soundscapes for lead playing and sonic exploration. The 100th BOSS Compact Series Model! The TE-2 Tera Echo represents a milestone as the 100th model in the long history of the BOSS compact series. Starting with the release of the OD-1 Overdrive in 1977, BOSS’ legendary stompboxes have been integral tools of artistic expression for millions of players around the world. Fueled by a spirit of dedication and innovation that began nearly four decades ago, the TE-2 carries on the BOSS legacy of bringing inspiring, leading-edge technologies to musicians everywhere. Make Your Playing Soar with Majestic Ambience Nominal Input Level: 20 dBu Input Impedance: 1 M ohm Nominal Output Level: 20 dBu Output Impedance: 1 k ohm Recommended Load Impedance: 10 k ohms or greater Controls: – Pedal switch – E. LEVEL knob – TONE knob – FEEDBACK knob – S-TIME (Spread Time) knob Indicator: CHECK indicator (Used for indication of HOLD, and to check battery) Connectors: INPUT-A (MONO) jack INPUT-B jack OUTPUT-A (MONO) jack OUTPUT-B jack AC adaptor jack (DC 9 V) Power Supply Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22) AC adaptor (sold separately) Current Draw 53 mA * Expected battery life under continuous use Alkaline:Approx. 6 hours Carbon: Approx. 1.5 hours These figures will vary depending on the actual conditions of use. Accessories: Owner’s Manual Leaflet (“USING THE UNIT SAFELY,” “IMPORTANT NOTE,” and “Information”) Alkaline battery (9V, 6LR61) Option (sold separately) AC adaptor (PSA series) Size and Weight (including battery ): W73mm (2-7/8″) x D129mm (5-1/8″) x H59mm (2-6/16″) Weight: 435 g (0 lbs. 16 oz.) Five Year Warranty Boss pedals purchased from southcoastmusic – an authorised Australia BOSS Reseller, are covered by an Australian Exclusive Five Year Warranty!
8 Guitar Cabinets + 8 Bass Cabinets + 8 Acoustic Guitar IRs
NUX Mini Studio brings 8 Guitar Cabinets + 8 Bass Cabinets + 8 Acoustic Guitar IRs into 1 pocket-size pedal. Each impulse response (IR) file captured from its own original source is processed with state-of-the-art audio technology. At the end of the signal chain, Mini Studio amazingly re-produces cabinet sound and tastefully enhances the audio signal. Guitar Cabinets (Default Setting) – LED indicator is RED, all the default IR slots are Guitar Cabinets:
  • JZ120 – Roland Jazz 120
  • DR112 – Fender Deluxe Reverb
  • BS410 – Fender Bassman 410
  • A212 – Vox AC30 212
  • TR212 – Fender Twin Reverb
  • 1960 – Marshall 1960A 412
  • GB412 – Celestion Greenback 412
  • V412 – Celestion Vintage30 412
Bass Cabinets – Hold the footswitch for 2 seconds, LED indicator changes to ORANGE. Now it’s Bass Cabinets:
  • AGL DB810 – Aguilar DB810
  • AMP SV810 – Ampeg SV810
  • MKB 410 – Mark Bass 410
  • TRC 410 – Trace Elliot 410
  • AMPSV410+Tweeter – Ampeg SV410 + Tweeter
  • Bassguy 410 – Fender Bassman 410
  • Eden 410 – EDEN 410
  • AMP SV212 – Ampeg SV212
Acoustic Guitar IRs – Hold the footswitch for 2 seconds again, LED indicator changes to GREEN. Now it’s Acoustic Guitar IRs:
  • G HBird EG Magnetic – Gibson Hummingbird for Electric Guitar Magnetic P/U
  • G J15 EG Magnetic – Gibson J15 for Electric Guitar Magnetic P/U
  • M D45 EG Magnetic – Martin D45 for Electric Guitar Magnetic P/U
  • G HBird Piezo – Gibson Hummingbird for Acoustic Guitar Piezo under saddle P/U
  • G J15 Piezo – Gibson J15 for Acoustic Guitar Piezo under saddle P/U
  • M D45 Piezo – Martin D45 for Acoustic Guitar Piezo under saddle P/U
  • M HD28 Piezo – Martin HD28 for Acoustic Guitar Piezo under staddle P/U
  • T 814 Piezo – Taylor 814 for Acoustic Guitar Piezo under saddle P/U
TC Electronic Alter Ego V2 Vintage Delay and Looper Pedal Vintage Guitar Delay Stompbox with Customizable Presets, 9 Delay Types, Looper, and True Bypass/Buffer Option If tape delays are your thing you re probably a very frustrated guitarist because of the maintenance, bulk and reliability issues that come along with those units. That s why Sweetwater guitarists are so excited, because the TC Electronic Alter Ego V2 vintage delay modeling stompbox gets you the glorious sound of multiple highly coveted vintage tape delay units without the headaches. And it gives you the power of TC s TonePrint technology to store and download presets from your iPhone directly to your pedal. Grab yourself an Alter Ego V2 and conjure your inner delay freak today! TC Electronic Alter Ego V2 Delay Stompbox at a Glance:
  • Huge modeled collection of highly desirable vintage-style delays
  • TonePrint compatible for endless delay possibilities
  • A ton of features while being easy to use
Huge modeled collection of highly desirable vintage-style delays Let me say it again, real tape delays are a pain in neck! But oh how glorious they sound! Now you can get that same sound with today s reliability and ease of use, and in a tiny little footprint with the TC Electronic Alter Ego V2. Inside you ll find TonePrints of some of the absolute standards in vintage delays: such as the Elector-Harmonix Deluxe MemoryMan, the BOSS DM-2, the Roland Space Echo, and much more! Get that U2 dotted-eighth sound, or David Gilmour s soaring leads with sounds that are darn near right on-the-money with the Alter Ego V2. TonePrint compatible for endless delay possibilities Say you find a sound in the pedal you need to share with the world…because that will happen. Upload it straight to your computer and add it to TC s TonePrint Library. That s where you ll find hundreds of presets, some by some of the biggest names in guitar, to share and download right into your very own V2. And it couldn t be any easier to do. Download the preset with your iPhone and send it wirelessly through Beam technology straight to your pedal. Look Ma, no cables! The possibilities are endless with the Alter Ego V2. A ton of features while being easy to use TC should write a book on how to cram so many useful features into such a tiny easy to use pedal. Everything from tap tempo and stereo ins and outs, to switchable true bypass or buffer performance, and so much more. There truly is very little within the realm of vintage delay that you can t accomplish with the Alter Ego V2. Need to tap in a dotted-eighth pattern on a gig, but maybe you re not a great tap dancer? Not a problem at all. The V2 even offers TC s switch for subdivided rhythms. Just select the one you want and tap out quarter notes. Couldn t be easier! TC Electronic Alter Ego V2 Delay Stompbox Features:
  • Vintage delay modeling stompbox with great accessibility
  • 9 modeled delay types
  • 40-second looper
  • Endless preset options with TonePrint technology
  • True bypass or buffered performance
  • Tap tempo with selectable subdivisions
  • Stereo inputs and outputs
  • Beam for transferring information and TonePrints
The Alter Ego V2 is what you’ve always wanted from vintage delay tones! Specifications:
  • Pedal Type Delay/Looper
  • Maximum Delay Time 7 seconds
  • Inputs 2 x 1/4
  • Outputs 2 x 1/4
  • Batteries 1 x 9V
  • Height 2
  • Width 2.8
  • Depth 4.8
  • Power Supply Included