Aussie Cheer Horn. Horn with separate mouthpiece
doubles as an unpowered megaphone.
Gold with green mouthpiece and sling.
Sticker on body in green and gold
featuring a kangaroo waving a flag
captioned with Go Aussie.
13 inch long
EDIROL by ROLAND M-10DX 10 CHANNEL DIGITAL MIXER – Digital Effects & Spectrum Analyser o 10-channel full digital mixer with M-16DX flagship features o 3-band EQ controls (Q & Freq.) with graphic LCD for precise tone shaping o Portable, all-in-one design o āRoom Acoustic Controlā for instant automatic room compensation o Built-in Studio quality effects, including COSM insert effects, reverb effectsĀ Ā Ā Ā and finalize effects o Flexible analog I/O and digital output, including two high-quality mic preamps o 240V AC adaptor included The Edirol/Roland M-10DX is a compact, affordable digital audio mixer for project studios, video editing workstations, home studios, etc. Based on the M-16DX, the M-10DX combines an even smaller profile with powerful DSP processing for a mixer that fits within the budget and size constraints of any project studio.Ā The M-10DX packs an amazing amount of high-end features into its small frame, including a 24-bit/96kHz processing engine and a backlit LCD so you can see the effects in operation, as well as a graphical spectrum analysis of the audio signal. The M-10DX delivers a 24-bit 96kHz mixing environment with built-in DSP processing and control. The mixer features 1o inputs of balanced TRS 6.3mm (1/4″) phono connections and two XLR microphone inputs on channels one and two. Channels 3/4, 5/6, 7/8 and 9/10 are stereo paired for keyboards and stereo line devices. Digital stereo I/O is supplied with S/PDIF coaxial and optical Tos-link connectors. The mixer’s internal DSP engine features plenty of high quality effects and mastering processing. Room Acoustic Control uses a built-in microphone to analyse room acoustics and compensate for the frequency response of your studio. The M-10DX packs all the featured by digital console users in a compact, space efficient unit with an affordable price. 
24-Bit 96kHz Resolution The M-10DX is a compact and powerful mixing solution, bringing the high 24-bit 96kHz environment to home and desktop studios. Room Acoustic Control Processing Room Acoustic Control uses a built-in microphone to analyze room acoustics and compensate for the frequency response of your studio. Powerful DSP Powerful DSP processors include mastering processors, graphic EQ, echo and reverb effects. EDIROL by ROLAND M-10DX 10 CHANNEL DIGITAL MIXER features and specifications: Number of Input Channels – 10 channels AD/DA Conversion – 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB)
– 48.0 kHz: 20 Hz to 22 kHz (+3/-3 dB)
– 44.1 kHz: 20 Hz to 20 kHz (+3/-3 dB) Residual Noise Level (IHF-A, typ.) – MAIN MIX LEVEL knob = -ā
– Channel LEVEL knobs = -ā
– MAIN MIX LEVEL knob = U
– Channel LEVEL knobs = -ā: -88 dBu
– MAIN MIX LEVEL knob = U
– Channel LEVEL knobs = U: -82 dBu Nominal Input Level – MIC connectors 1ā2: -60 to -10 dBu
– LINE IN jacks 1ā2: -40 to +10 dBu * Maximum input level: Nominal input level + 22 dB
– LINE IN jacks 3ā10: +0 dBu
– LINE IN jacks 9ā10 (RCA pin type): -10 dBu, * Maximum input level: Nominal input level + 18 dB Input Impedance – MIC connectors 1ā2: 2.7 kā¦
– LINE IN jacks 1ā2: 28 kā¦
– LINE IN jacks 3ā8: 20 kā¦
– LINE IN jacks 9ā10 (RCA pin type): 20 kā¦ Nominal Output Level – +0 dBu, * Maximum output level: Nominal Output Level + 22 dB Recommended Load Impedance – 10 kā¦ or greater Display – Graphic LCD 122 x 32 dot (with back-light) Connectors – MIC connectors 1ā2: XLR type (balanced/phantom power +48 V)
– LINE IN jacks 1ā10: 6.3mm (1/4″) TRS phono (balanced)
– LINE IN jack 1: supports use of hi-impedance
– LINE IN jacks 9ā10: RCA pin type
– MAIN OUT jacks LāR: 6.3mm (1/4″) TRS phono (impedance balanced)
– AUX SEND jack: 6.3mm (1/4″) TRS phono (impedance balanced)
– 2 TRACK OUT jacks LāR: RCA pin type
– DIGITAL OUTPUT jack/connector: Optical type, Coaxial type
– PHONES jack: Stereo 6.3mm (1/4″) TRS phono
– CTRL ROOM jacks LāR: 6.3mm (1/4″) phono (impedance balanced) DSP processing – Room Acoustic Control (built-in microphone) Finalize – Enhancer/Multi-band Compressor-Limiter Insertion effects – Power compressor/Vocal enhancer/Narration enhancer, Echo/Reverb: ShortĀ Ā echo/Echo/Room reverb/Small hall reverb/Large hall reverb Power Supply – DC9V (240V AC adaptor) included
– Alkaline dry battery LR6 (AA) type x 8 or Nickel metal-hydride battery (HR15/51) x 8 Current Draw – 950 mA, Expected battery life under continuous use (figures will vary depending on actual conditions of use)
– Nickel metal-hydride: 3 hours
– Alkaline: 1.5ā2 hours Phantom Power – +48 V/5 mA (each input) Accessories – Ownerās manual, 240V AC adaptor Warranty – One Year Dimensions – W198.6mm x H60.9mm x D262.2mm (7.81″ x 2.39″ x 10.32″) Weight – 1.3 kg (2lbs 14oz) OUR PRICE INCLUDES AUSTRALIA-WIDE DELIVERY!
24-Bit 96kHz Resolution The M-10DX is a compact and powerful mixing solution, bringing the high 24-bit 96kHz environment to home and desktop studios. Room Acoustic Control Processing Room Acoustic Control uses a built-in microphone to analyze room acoustics and compensate for the frequency response of your studio. Powerful DSP Powerful DSP processors include mastering processors, graphic EQ, echo and reverb effects. EDIROL by ROLAND M-10DX 10 CHANNEL DIGITAL MIXER features and specifications: Number of Input Channels – 10 channels AD/DA Conversion – 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB)
– 48.0 kHz: 20 Hz to 22 kHz (+3/-3 dB)
– 44.1 kHz: 20 Hz to 20 kHz (+3/-3 dB) Residual Noise Level (IHF-A, typ.) – MAIN MIX LEVEL knob = -ā
– Channel LEVEL knobs = -ā
– MAIN MIX LEVEL knob = U
– Channel LEVEL knobs = -ā: -88 dBu
– MAIN MIX LEVEL knob = U
– Channel LEVEL knobs = U: -82 dBu Nominal Input Level – MIC connectors 1ā2: -60 to -10 dBu
– LINE IN jacks 1ā2: -40 to +10 dBu * Maximum input level: Nominal input level + 22 dB
– LINE IN jacks 3ā10: +0 dBu
– LINE IN jacks 9ā10 (RCA pin type): -10 dBu, * Maximum input level: Nominal input level + 18 dB Input Impedance – MIC connectors 1ā2: 2.7 kā¦
– LINE IN jacks 1ā2: 28 kā¦
– LINE IN jacks 3ā8: 20 kā¦
– LINE IN jacks 9ā10 (RCA pin type): 20 kā¦ Nominal Output Level – +0 dBu, * Maximum output level: Nominal Output Level + 22 dB Recommended Load Impedance – 10 kā¦ or greater Display – Graphic LCD 122 x 32 dot (with back-light) Connectors – MIC connectors 1ā2: XLR type (balanced/phantom power +48 V)
– LINE IN jacks 1ā10: 6.3mm (1/4″) TRS phono (balanced)
– LINE IN jack 1: supports use of hi-impedance
– LINE IN jacks 9ā10: RCA pin type
– MAIN OUT jacks LāR: 6.3mm (1/4″) TRS phono (impedance balanced)
– AUX SEND jack: 6.3mm (1/4″) TRS phono (impedance balanced)
– 2 TRACK OUT jacks LāR: RCA pin type
– DIGITAL OUTPUT jack/connector: Optical type, Coaxial type
– PHONES jack: Stereo 6.3mm (1/4″) TRS phono
– CTRL ROOM jacks LāR: 6.3mm (1/4″) phono (impedance balanced) DSP processing – Room Acoustic Control (built-in microphone) Finalize – Enhancer/Multi-band Compressor-Limiter Insertion effects – Power compressor/Vocal enhancer/Narration enhancer, Echo/Reverb: ShortĀ Ā echo/Echo/Room reverb/Small hall reverb/Large hall reverb Power Supply – DC9V (240V AC adaptor) included
– Alkaline dry battery LR6 (AA) type x 8 or Nickel metal-hydride battery (HR15/51) x 8 Current Draw – 950 mA, Expected battery life under continuous use (figures will vary depending on actual conditions of use)
– Nickel metal-hydride: 3 hours
– Alkaline: 1.5ā2 hours Phantom Power – +48 V/5 mA (each input) Accessories – Ownerās manual, 240V AC adaptor Warranty – One Year Dimensions – W198.6mm x H60.9mm x D262.2mm (7.81″ x 2.39″ x 10.32″) Weight – 1.3 kg (2lbs 14oz) OUR PRICE INCLUDES AUSTRALIA-WIDE DELIVERY! This is the pedal of the nought’ies…the Blackstar HT-Dual! There has been a WAVE of excitement over the flagship of the Blackstar amplification Ht Pedal range. Blackstar is a relatively new British company, launching in 2007, that boasts an R&D and engineering team that cut its teeth with perhaps the biggest amp name of all time…Marshall. Breaking out on their own in this new venture, Blackstar has made quite a name for themselves with a range of amps and valve-driven pedals. The HT-DUAL is loaded with a single Russian-made ECC83 dual-triode preamp valve, backlit to glow red. The valve runs off a full 300-volt circuit, (hence HT in the name: HT for ‘high-tension’ meaning high voltage). This is widely accepted by many to offer better tone, gain and overload characteristics than low-voltage valve pedals. The HT-DUAL also offers an addition called an ISF (Infinite Shape Feature) control. Unlike more familiar contour circuits, the ISF enables you to move the entire EQ section voicing between what you’d expect of two classic amplifier tone circuits: Fender at one end and Marshall at the other. “The ISF came about because we were looking for a way to voice testbed amplifiers for artists,” explains Blackstar’s technical director, Bruce Keir. “We needed a way to continuously vary the tone beyond what was available from existing amplifiers. This would enable the player to create their signature sound before we ‘locked it off’ in their preferred setting. The method we came up with gave the ability to not only get the standard reference tones, but also the ‘in-between’ never-before-attainable voicings as well. It worked so effectively and so simply that we decided to make it a feature available for all guitarists to use.” A handy tool indeed, the ISF control broadly apes the tonal response of classic 6L6- or EL34-powered amps, plus many points in between. Be amongst the elite Australian musicians who have staked their claim to the pure Valve toneĀ of Blackstar at southcoastmusic…the store where serious guitarists shop! Do you dare ignore it?! The HT-DUAL offers the ultimate in high voltage valve distortion flexibility. Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to
screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine. The ISF control takes you from āBritish Valveā to āModern Americanā and anywhere
in between and the no compromise speaker emulated output lets you get it all down to tape or disk.