Go continental with the harmonica that sounds like an accordion in a French cafe. Show your Celtic roots with a tremolo sound popular with the Scottish Highlands and the Wee Folk of Ireland. Play malaguenas while senoritas dance in the Latin Quarter. An essential harp for Mickey Raphael Willie Nelson . A true world traveler that makes you feel right at home. Wood body, available in a 64, 80, 96 or 120 note version. Features Maple wood comb
Double sided instrument 2 harmonicas in 1
0.9 mm brass reed plates
Stainless steel covers
Opposing sides are tuned a fifth apart
64 reeds
Polly Jean Harvey has won worldwide recognition for her raw, bluesy music while remaining one of rock s most enigmatic and private figures. Starting out as PJ Harvey, the first female artist to win the prestigious Mercury Music Prize has spent more than a decade creating a series of scorching albums and collaborating with musicians including Nick Cave, Radiohead, Tricky, Marianne Faithfull and Queens Of The Stone Age. This groundbreaking biography traces Harvey s personal and artistic development from her childhood in a small Dorset village, through her recordings with Too Pure and Island, right up to her headlining World Tour of 2004. Featuring both new and archive interview material with Harvey herself as well as those closest to her, this book will be a real revelation for her fans all round the world. This is the Updated Edition of PJ Harvey s biography, and features a full discography, including bootlegs and rarities. Paperback Edition. PJ Harvey Siren Rising Updated Edition
southcoastmusic exceptional instruments at exceptional prices… everyday!
BOSS BOSS GP10S GUITAR PROCESSOR
Unlimited Sonic Possibilities
The new BOSS GP-10S puts a universe of amazing tones and tunings at your command…all in a compact processor that’s affordable and easy to use. With a Roland GK-compatible pickup on your guitar, the GP-10 lets you transform your sound into numerous classic electric and acoustic guitar types, basses, and even analog-modeled synths, including the legendary Roland GR-300. You also have access to instant altered tunings, including popular open tunings, 12-string tones, and “down” tunings that are essential for today’s ultra-heavy rock styles. The versatile GP-10 also functions as a full-featured multi-effects processor for both GK and normal pickups, giving you a huge selection of COSM amps and effects for live playing and studio recording. Onboard USB connectivity lets you capture GP-10 tones directly into your DAW and you can even play computer-based soft synths from your axe with the GP-10’s guitar-to-MIDI convertor!
BOSS GP10 GUITAR PROCESSOR AT A GLANCE:
- Instant access to down tunings, open tunings, 12-string sounds, and your own custom tunings
- Instrument modeling powered by COSM technology, including conventional electric, acoustic, and bass guitars, plus sitar, banjo, fretless guitar, and others
- Analog guitar synthesizer modeling driven by real-time DSP allows you to play expressive, ultra-responsive synth tones
- Create totally new sounds by blending modeled and normal guitar tones together
- High-quality COSM amps and multi-effects derived from the GT-100
- 13-pin input for guitars equipped with a Roland GK-3 Divided Pickup or other GK-compatible pickup
- Standard 1/4-inch guitar input allows for use of amps and effects with any guitar
- USB audio/MIDI interface for multi-channel audio recording (including individual string output) and guitar-to-MIDI conversion with GK pickup
- BOSS TONE STUDIO editor/librarian for Mac/Windows and custom patches available at bosstonecentral.com
- Available with (GP10GK) or without a GK-3 Divided Pickup (GP10S)
- Play the GP-10 and another 13-pin GK device at the same time using the GKP-2 Parallel Cable (optional)
Incredible Versatility for Stage and Studio Playing
The compact GP-10 is both an instrument modeling processor and a powerful multi-effects unit. Its multi-effects section features flagship-level COSM amps and effects, and these can be used with any guitar via a standard 6.3mm (1/4″) Phono cable. Plugging into the GP-10’s GK input with a Roland GK-compatible pickup and a 13-pin cable unlocks the instrument modeling section, opening up a world of amazing sonic possibilities for both live playing and studio recording. Instantly Change Your Guitar’s Tuning- OPEN: D, E, G, A
- DROP: D to A
- D-MODAL
- NASHVILLE
- SHIFT: -12 to +12
- USER
- 12-string guitar function
With a GK-compatible pickup, the GP-10 allows you to change your guitar’s tuning with the press of a pedal. There’s no need to change instruments or manually re-tune for different songs or styles—just dial up the tuning you need in the GP-10 and go. Play slide in open tunings like G and E, enjoy shimmering 12-string tones, or drop your entire guitar down in semitone steps for massive, ultra-heavy riffs. There are many tuning presets to choose from, and you can also create your own customized tunings for any application.
A World-Class Collection of Classic Guitars, Synths, and More- Electric guitar: 12 types
- Acoustic: 9 types
- Bass: 3 types
- Guitar synthesizer: 3 types
- Poly FX: 5 types
In addition to instant tuning changes, using a GK-compatible pickup with the GP-10 lets you change your instrument’s entire sound as well. On hand are classic modeled electric guitars with single coils and humbuckers, plus steel- and nylon-string acoustics, basses, banjo, resonator, fretless guitar, and even a sitar! The GP-10 also includes an impressive analog-modeled synth engine that powers an authentic emulation of the famous Roland GR-300 analog guitar synth and a super-fat OSC Synth with two oscillators and many easily adjustable sound parameters. In addition, a selection of cool “Poly FX” deliver unique sounds only possible with GK processing, allowing you to take your playing into exciting new territory. Modeled sounds can be blended with your guitar’s normal sound, putting an infinite range of tones under your fingers.
Natural, Ultra-Responsive COSM Amps A core factor that defines an electric guitar’s sound is the amplifier type, and the GP-10 is filled with them. 30 different amps are at your disposal, including classic combos, vintage stacks, and modern high-gain amps, along with bass amps for modeled bass tones and a full-range amp for acoustic sounds. Powered by custom BOSS DSP and the latest developments in COSM technology, the amps in the GP-10 deliver organic, responsive tone, with adjustable settings to vary the natural compression and playing feel. All the GP-10’s amps can be used with either normal guitars or those equipped with a GK pickup. High-Performance Multi-Effects- Preamp: 30 types
- FX: 16 types (including OD/DS)
- OD/DS: 21 types
- Wah: 6 types
- Chorus: 3 types
- Delay: 10 types
- Reverb: 7 types
- EQ: 1 type
- Noise Suppressor(NS): 1 type
KALA KA-BE ACOUSTIC/ELECTRIC BARITONE UKULELE 
The Satin Mahogany line is Kala’s flagship collection and has become an industry standard. The traditional design and build quality are highlighted with a satin finish and is another example of why Kala’s Mahogany Series Ukuleles continue to be among the best selling in the world. The larger Baritone size is a fantastic addition for any Ukulele enthusiast. It’s standard tuning of DGBE is instantly familiar to guitar players making the transition seamless. 
The Kala KA-BE Baritone Ukulele has been hand crafted from select Mahogany delivering a full-bodied tone with sonorous highs and a warm yet tight bass. The Mahogany body also features classic cream coloured binding on the top and the back which tastefully compliments the satin finish. Tuning duties are also well taken care of with chrome sealed die-cast tuners and premium Aquila strings. Designed and hand crafted to stand the test of time. 
KALA KA-BE ACOUSTIC/ELECTRIC BARITONE UKULELE FEATURES and SPECIFICATIONS • Size: Baritone
• Type: Acoustic-Electric
• Top Material: Mahogany
• Back and Sides Material: Mahogany
• Neck Material: Mahogany
• Nut & Saddle: GraphTech NuBone®
• Binding: Classic Cream Binding on Body
• Fingerboard Material: Walnut
• Fretboard Postion Markers: Inlaid Position Markers
• Frets: 18 x Nickel Silver Frets
• Machine Heads: Quality Die-cast Sealed Geared Tuners
• Strings: Aquila Nylgut Premium Strings
• Tuning: DGBE
• Pickup: Under-saddle Transducer
• Controls: UK-300TR Active Preamp with Volume, Bass and Treble Controls
• Tuner: Built-in chromatic tuner
• Scale Length: 20.25″
• Overall Length: 30.5″
• Body Length: 14″
• Upper Bout Width: 7.75″
• Lower Bout Width: 10.25″
• Waist Width: 6.625″
• Body Depth: 3.21″
• Neck Width at Nut: 1.5″
• Fingerboard width at neck/body joint: 1.81″
• Setup: PRO-SCM 
Just for your peace of mind, your Kala Acoustic-Electric Baritone will be thoroughly checked over and setup by our Guitar-Tech before being sent to you.
The Satin Mahogany line is Kala’s flagship collection and has become an industry standard. The traditional design and build quality are highlighted with a satin finish and is another example of why Kala’s Mahogany Series Ukuleles continue to be among the best selling in the world. The larger Baritone size is a fantastic addition for any Ukulele enthusiast. It’s standard tuning of DGBE is instantly familiar to guitar players making the transition seamless. The Kala KA-BE Baritone Ukulele has been hand crafted from select Mahogany delivering a full-bodied tone with sonorous highs and a warm yet tight bass. The Mahogany body also features classic cream coloured binding on the top and the back which tastefully compliments the satin finish. Tuning duties are also well taken care of with chrome sealed die-cast tuners and premium Aquila strings. Designed and hand crafted to stand the test of time. KALA KA-BE ACOUSTIC/ELECTRIC BARITONE UKULELE FEATURES and SPECIFICATIONS • Size: Baritone
• Type: Acoustic-Electric
• Top Material: Mahogany
• Back and Sides Material: Mahogany
• Neck Material: Mahogany
• Nut & Saddle: GraphTech NuBone®
• Binding: Classic Cream Binding on Body
• Fingerboard Material: Walnut
• Fretboard Postion Markers: Inlaid Position Markers
• Frets: 18 x Nickel Silver Frets
• Machine Heads: Quality Die-cast Sealed Geared Tuners
• Strings: Aquila Nylgut Premium Strings
• Tuning: DGBE
• Pickup: Under-saddle Transducer
• Controls: UK-300TR Active Preamp with Volume, Bass and Treble Controls
• Tuner: Built-in chromatic tuner
• Scale Length: 20.25″
• Overall Length: 30.5″
• Body Length: 14″
• Upper Bout Width: 7.75″
• Lower Bout Width: 10.25″
• Waist Width: 6.625″
• Body Depth: 3.21″
• Neck Width at Nut: 1.5″
• Fingerboard width at neck/body joint: 1.81″
• Setup: PRO-SCM Just for your peace of mind, your Kala Acoustic-Electric Baritone will be thoroughly checked over and setup by our Guitar-Tech before being sent to you. RØDE NTR Active Studio Ribbon Microphone from RØDE
At first glance of the NTR you’re aware that it’s very special and unique – an intricate blend of art and science. What sets it apart from other Ribbon microphones is clear… 1) the RØDE NTR was conceived, designed and built right here in Australia
2) the RØDE NTR, benchmarked against the World’s best – sounds amazing,
3) the RØDE NTR has just lifted the benchmark up a few pegs
4) the RØDE NTR is affordable and has just redefined what can be bought for this price! Designed to hang in the world’s finest recording studios and performance halls equally as well as home studio spaces, its existence is a labour of love for RØDE. Every element of the NTR, from the transformer to the ribbon element itself, has been designed and created in-house at RØDE’s headquarters in Sydney, Australia. All with the aim of crafting the finest ribbon microphone available. Sonically, the NTR is capable of reproducing unprecedented high frequency detail and accuracy, addressing common criticisms of other ribbon microphones, while opening up the possible usage scenarios considerably. This allows it to record sound sources that usually require a more sensitive microphone element. Featuring a wide 20 Hz to 20 kHz frequency response, the NTR Active Ribbon Microphone from Rode is based around a sensitive 1.8-micron-thick ribbon element that’s suspended in an internal shock mounting system to reduce internal noise. It is capable of handling up to 130 dB of SPL, providing versatility in what sources can be placed in front of the mic. A ribbon-securing travel screw in included to help protect the element when transporting the mic. Like many Rode microphones the NTR has an extended 10-year warranty with registration, which includes one free ribbon replacement during the period. 
- Figure-8 Polar Pattern
- 20 Hz to 20 kHz Frequency Response
- 130 dB Maximum SPL
- 1.8 Micron Ribbon Element
- Internal Shock Mounting System
- Includes Ribbon-Securing Travel Screw
At first glance of the NTR you’re aware that it’s very special and unique – an intricate blend of art and science. What sets it apart from other Ribbon microphones is clear… 1) the RØDE NTR was conceived, designed and built right here in Australia
2) the RØDE NTR, benchmarked against the World’s best – sounds amazing,
3) the RØDE NTR has just lifted the benchmark up a few pegs
4) the RØDE NTR is affordable and has just redefined what can be bought for this price! Designed to hang in the world’s finest recording studios and performance halls equally as well as home studio spaces, its existence is a labour of love for RØDE. Every element of the NTR, from the transformer to the ribbon element itself, has been designed and created in-house at RØDE’s headquarters in Sydney, Australia. All with the aim of crafting the finest ribbon microphone available. Sonically, the NTR is capable of reproducing unprecedented high frequency detail and accuracy, addressing common criticisms of other ribbon microphones, while opening up the possible usage scenarios considerably. This allows it to record sound sources that usually require a more sensitive microphone element. Featuring a wide 20 Hz to 20 kHz frequency response, the NTR Active Ribbon Microphone from Rode is based around a sensitive 1.8-micron-thick ribbon element that’s suspended in an internal shock mounting system to reduce internal noise. It is capable of handling up to 130 dB of SPL, providing versatility in what sources can be placed in front of the mic. A ribbon-securing travel screw in included to help protect the element when transporting the mic. Like many Rode microphones the NTR has an extended 10-year warranty with registration, which includes one free ribbon replacement during the period. 
- Acoustic Principle: Velocity transducer
- Active Electronics: Step-up transformer and signal balanced preamp stage
- Polar Pattern: Figure-8
- Frequency Range: 20 Hz to 20 kHz
- Output Impedance: 200 ohms
- Signal to Noise Ratio: 79.3 dBA
- Equivalent Noise: 15 dbA SPL (as per IEC651)
- Maximum SPL: 130 dB SPL
- Maximum Output: 8 dBu (@ 1 kHz, 1% THD into 1 kOhm load)
- Sensitivity: -30.5 dB re 1 V/Pa (30 mV @ 94 dB SPL) ± 2 dB @ 1kHz
- Dynamic Range: 115 dB SPL
- Power Requirements: 48 V
- Output Connection: 3-Pin XLR – Balanced output between Pin 2 (+) Pin 3 (-) and Pin 1 (ground)
- Weight: 1047g (36.9 oz)
V O X M I N I 5 L I M I T E D E D I T I O N G U I T A R A M P L I F I E R – D O U B L E I V O R Y F I N I S H
Introducing the new MINI5 Rhythm – the incredibly lightweight and compact Modeling Guitar Amplifier that lets you jam along or practice with its built-in a wide range of rhythm patterns. The new MINI5 Rhythm DI is uniquely finished in ivory, from head to toe, making this one of the most distinctive colour combinations yet! V O X M I N I 5 M A I N F E A T U R E S : • 11 realistic amp models inherited from the popular Valvetronix series
• Amp models range from intense high-gain types to pristine clean sounds that can also be used with keyboards and other instruments
• A total of eight effects: four standard effects (compressor, chorus, flanger, and tremolo); four types of delay/reverb
• VOX “Bassilator” circuit delivers a heavy sound with ultra-low frequency, creating a rich low end rhythm response.
• A variety of rhythm patterns organised into 10 genres, plus metronome patterns, for a total of 99 choices.
• Use the GENRE knob and VARIATION button to easily recall the desired rhythm.
• Battery operation (six AA batteries) with approx 19.5 hours of playing time (at the 0.1W setting)
• AC adapter is also included
• An independent mic input jack can be used with a delay/reverb effect to get your ideal vocal sound
• AUX input jack lets you connect your MP3 player for jam sessions or practice
• Headphone/line output with a cabinet simulator can reproduce the resonances of a speaker cabinet
• Power Select (5/1.5/0.1) switch lets you adjust the volume without impairing tonal characteristics, such as the sense of drive or air
• High-performance, built-in E-string tuner
• Classic VOX design is complemented by a rugged metal grill.
• Carrying strap is included for convenient transportation This LIMITED EDITION Double Ivory VOX MINI 5 Rhythm modeling amp is lightweight, compact, and battery-powered, offering realistic sound anytime, anywhere.
The MINI5 Rhythm offers 11 amp sounds inherited from the popular and acclaimed Valvetronix series, plus eight effects and a new rhythm function.
You can choose from 99 different variations of rhythm patterns to back your performance or practice along to.
The compact body also packs plenty of additional functionality such as a mic input, AUX input, and a dedicated E-string tuner, letting you play your guitar with the high quality tone you’d expect from VOX. V O X M I N I 5 – A FANTASTIC VARIETY OF AMP MODELS There are 11 realistic amp models taken from the flagship Valvetronix series that support a broad range of styles and playing techniques, including perfect simulations of the legendary VOX AC30 that capture the sense of drive typical of vacuum tubes, as well as models of intensely powerful high-gain amps and transparent, clean types. V O X M I N I 5 – B A S S I L A T O R C I R C U I T R Y New to the series is a built-in VOX original “Bassilator” circuit, which covers the ultra-low-frequency overtones that cannot be obtained via EQ. This is particularly effective for high-gain models and produces an intensely heavy sound that seems unthinkable from an amp of this size.
PERFECT FOR ACOUSTIC-ELECTRIC GUITARS AND KEYBOARDS
In addition, there’s a pure and clean-sounding LINE input without any distortion, making it an ideal choice for acoustic-electric guitars or keyboards. V O X M I N I 5 – A W E S O M E E F F E C T S There’s also a full complement of effects, including compressor, chorus, flanger, and tremolo, as well as delay/reverb types. With a total of eight varieties of effects, you’ll have plenty of options for shaping your sound. V O X M I N I 5 – V E R S A T I L E R H Y T H M F U N C T I O N S As its name suggests, the MINI5 Rhythm features a newly added rhythm function. It provides 11 built-in rhythms in styles that include 8-beat, 16-beat, rock, metal, and R&B, as well as a built-in metronome. With nine variations for each style, you’ll have a generous 99 rhythm patterns to work with. You can easily call up the rhythm pattern you want and adjust its tempo and volume for a great way to jam along with high-quality rhythm patterns, to try out ideas for a new riff or phrase, or to practice playing to a beat to improve your performances. Since these rhythm patterns cover a wide range of musical styles, it is easier to get into the feel of the song being played, making otherwise routine personal practice sessions more enjoyable. V O X M I N I 5 – B A T T E R Y A N D A C P O W E R O P E R A T I O N The MINI5 Rhythm features two-way power that can run on batteries (six AA batteries) or an AC adapter (included). Batteries allow up to approximately 19.5 hours of operation (with POWER SELECT set to 0.1W), making this amp an ideal choice for street performances or outdoor playing. It also comes with a carrying strap for easy transport, letting you enjoy playing guitar wherever inspiration may strike. V O X M I N I 5 – P L E N T Y O F I N P U T / O U T P U T J A C K S – I D E A L F O R B U S K I N G In addition to a guitar input, the MINI5 Rhythm also provides additional types of input and output jacks. The mic input provides an adjustable volume and lets you apply a delay/reverb effect, providing support for vocals. There’s also an AUX input that can accept an external audio source such as an MP3 player. It can be used in conjunction with a guitar and mic, for a total of three inputs simultaneously. V O X M I N I 5 – H E A D P H O N E / L I N E – O U T J A C K Also provided is a headphone/line out jack with a built-in cabinet simulator so that when you’re recording directly into a multi-track recorder or practicing with headphones, you can obtain the same great cabinet resonance you’d get if you had set up a mic in front of the amp. V O X M I N I 5 – S W I T C H A B L E P O W E R A M P W A T T A G E By switching the wattage, you can regulate the volume while still retaining the sense of drive and air obtained by turning the master volume all the way up. The wattage can be switched in three levels: 5 / 1.5 / 0.1W. 
V O X M I N I 5 – A M P M O D E L S ( 1 1 t y p e s ） BTQ, CLEAN, BLACK 2×12, TWEED 4×10, AC15, AC30TB, UK ’70S, UK ’80S, UK ’90S, CALI METAL, US HIGAIN, LINE V O X M I N I 5 – E F F E C T S ( 8 t y p e s ) COMPRESSOR, CHORUS, FLANGER, TREMOLO, DELAY/REVERB (ANALOG, TAPE ECHO, SPRING, ROOM) V O X M I N I 5 – R H Y T H M S ( 9 9 t y p e s ) 8 BEAT, 16 BEAT, ROCK, METAL, POP, R&B, JAZZ, LATIN, DANCE, ODD METER, METRO
*Each genre has 9 variations LIMITED EDITION VOX MINI5 IN DOUBLE IVORY FINISH
- Modeling Guitar Amplifier
- Portable Battery Powered
- Built-In Rhythm Patterns
- Exclusive Limited Edition Double Ivory Finish
Introducing the new MINI5 Rhythm – the incredibly lightweight and compact Modeling Guitar Amplifier that lets you jam along or practice with its built-in a wide range of rhythm patterns. The new MINI5 Rhythm DI is uniquely finished in ivory, from head to toe, making this one of the most distinctive colour combinations yet! V O X M I N I 5 M A I N F E A T U R E S : • 11 realistic amp models inherited from the popular Valvetronix series
• Amp models range from intense high-gain types to pristine clean sounds that can also be used with keyboards and other instruments
• A total of eight effects: four standard effects (compressor, chorus, flanger, and tremolo); four types of delay/reverb
• VOX “Bassilator” circuit delivers a heavy sound with ultra-low frequency, creating a rich low end rhythm response.
• A variety of rhythm patterns organised into 10 genres, plus metronome patterns, for a total of 99 choices.
• Use the GENRE knob and VARIATION button to easily recall the desired rhythm.
• Battery operation (six AA batteries) with approx 19.5 hours of playing time (at the 0.1W setting)
• AC adapter is also included
• An independent mic input jack can be used with a delay/reverb effect to get your ideal vocal sound
• AUX input jack lets you connect your MP3 player for jam sessions or practice
• Headphone/line output with a cabinet simulator can reproduce the resonances of a speaker cabinet
• Power Select (5/1.5/0.1) switch lets you adjust the volume without impairing tonal characteristics, such as the sense of drive or air
• High-performance, built-in E-string tuner
• Classic VOX design is complemented by a rugged metal grill.
• Carrying strap is included for convenient transportation This LIMITED EDITION Double Ivory VOX MINI 5 Rhythm modeling amp is lightweight, compact, and battery-powered, offering realistic sound anytime, anywhere.
The MINI5 Rhythm offers 11 amp sounds inherited from the popular and acclaimed Valvetronix series, plus eight effects and a new rhythm function.
You can choose from 99 different variations of rhythm patterns to back your performance or practice along to.
The compact body also packs plenty of additional functionality such as a mic input, AUX input, and a dedicated E-string tuner, letting you play your guitar with the high quality tone you’d expect from VOX. V O X M I N I 5 – A FANTASTIC VARIETY OF AMP MODELS There are 11 realistic amp models taken from the flagship Valvetronix series that support a broad range of styles and playing techniques, including perfect simulations of the legendary VOX AC30 that capture the sense of drive typical of vacuum tubes, as well as models of intensely powerful high-gain amps and transparent, clean types. V O X M I N I 5 – B A S S I L A T O R C I R C U I T R Y New to the series is a built-in VOX original “Bassilator” circuit, which covers the ultra-low-frequency overtones that cannot be obtained via EQ. This is particularly effective for high-gain models and produces an intensely heavy sound that seems unthinkable from an amp of this size.
PERFECT FOR ACOUSTIC-ELECTRIC GUITARS AND KEYBOARDS
In addition, there’s a pure and clean-sounding LINE input without any distortion, making it an ideal choice for acoustic-electric guitars or keyboards. V O X M I N I 5 – A W E S O M E E F F E C T S There’s also a full complement of effects, including compressor, chorus, flanger, and tremolo, as well as delay/reverb types. With a total of eight varieties of effects, you’ll have plenty of options for shaping your sound. V O X M I N I 5 – V E R S A T I L E R H Y T H M F U N C T I O N S As its name suggests, the MINI5 Rhythm features a newly added rhythm function. It provides 11 built-in rhythms in styles that include 8-beat, 16-beat, rock, metal, and R&B, as well as a built-in metronome. With nine variations for each style, you’ll have a generous 99 rhythm patterns to work with. You can easily call up the rhythm pattern you want and adjust its tempo and volume for a great way to jam along with high-quality rhythm patterns, to try out ideas for a new riff or phrase, or to practice playing to a beat to improve your performances. Since these rhythm patterns cover a wide range of musical styles, it is easier to get into the feel of the song being played, making otherwise routine personal practice sessions more enjoyable. V O X M I N I 5 – B A T T E R Y A N D A C P O W E R O P E R A T I O N The MINI5 Rhythm features two-way power that can run on batteries (six AA batteries) or an AC adapter (included). Batteries allow up to approximately 19.5 hours of operation (with POWER SELECT set to 0.1W), making this amp an ideal choice for street performances or outdoor playing. It also comes with a carrying strap for easy transport, letting you enjoy playing guitar wherever inspiration may strike. V O X M I N I 5 – P L E N T Y O F I N P U T / O U T P U T J A C K S – I D E A L F O R B U S K I N G In addition to a guitar input, the MINI5 Rhythm also provides additional types of input and output jacks. The mic input provides an adjustable volume and lets you apply a delay/reverb effect, providing support for vocals. There’s also an AUX input that can accept an external audio source such as an MP3 player. It can be used in conjunction with a guitar and mic, for a total of three inputs simultaneously. V O X M I N I 5 – H E A D P H O N E / L I N E – O U T J A C K Also provided is a headphone/line out jack with a built-in cabinet simulator so that when you’re recording directly into a multi-track recorder or practicing with headphones, you can obtain the same great cabinet resonance you’d get if you had set up a mic in front of the amp. V O X M I N I 5 – S W I T C H A B L E P O W E R A M P W A T T A G E By switching the wattage, you can regulate the volume while still retaining the sense of drive and air obtained by turning the master volume all the way up. The wattage can be switched in three levels: 5 / 1.5 / 0.1W. 
V O X M I N I 5 – A M P M O D E L S ( 1 1 t y p e s ） BTQ, CLEAN, BLACK 2×12, TWEED 4×10, AC15, AC30TB, UK ’70S, UK ’80S, UK ’90S, CALI METAL, US HIGAIN, LINE V O X M I N I 5 – E F F E C T S ( 8 t y p e s ) COMPRESSOR, CHORUS, FLANGER, TREMOLO, DELAY/REVERB (ANALOG, TAPE ECHO, SPRING, ROOM) V O X M I N I 5 – R H Y T H M S ( 9 9 t y p e s ) 8 BEAT, 16 BEAT, ROCK, METAL, POP, R&B, JAZZ, LATIN, DANCE, ODD METER, METRO
*Each genre has 9 variations LIMITED EDITION VOX MINI5 IN DOUBLE IVORY FINISH FENDER VINTAGE HOTROD ’60’s STRATOCASTER 3-SB THREE COLOUR SUNBURST IN HARD CASE 
This is what dreams are made of…Fender’s Vintage Hot Rod ’60s Stratocaster deliver the consumate classic Strat tone, style and performance straight from the 1960s with subtle modifications that make this guitar more relevant than it ever has been. This then, is simply the Stratocaster, built with the utmost respect for its heritage and hot-rodded for today’s players. Fender have pulled no punches with this baby…premium features include a hand selected alder body with a magnificent satin finished maple neck with a mid-’60s soft “C”-shaped profile, vintage-style heel-end truss rod adjustment and a compound-radius (7.25″-12″) rosewood fingerboard. Other premium features include 21 6105 fret wires, oversize white pearloid dot inlays and a real bone nut to help nail that tone. The tone of your favourite licks and those to yet be inpired come courtesy of American Vintage single-coil ’59 Stratocaster (neck), ’65 gray-bottom Stratocaster (middle) and single-coil ’56 Stratocaster (bridge) pickups. In addition to five-way blade pickup switching, an S-1™ switch adds the bridge pickup to pickup switch positions 3, 4 and 5. Other features include a four-ply brown shell pickguard, three aged white control knobs (master volume, tone 1, tone 2), two-point synchronized tremolo with vintage-style stamped steel saddles, Gotoh® locking tuners and locking strap buttons. There is nothing standard about this tone machine and other upgraded features include a deluxe vintage-style black case, vintage-style 8′ cable, vintage-style black strap, extra tremolo springs and wrenches. Of course, your Fender Hot Rod ’60s Stratocaster® has been thoroughly checked over and set up by John Kuts, our inhouse guitar tech. 
Fender Vintage Hot Rod ’60s Stratocaster® specifications:
IN STOCK
This is what dreams are made of…Fender’s Vintage Hot Rod ’60s Stratocaster deliver the consumate classic Strat tone, style and performance straight from the 1960s with subtle modifications that make this guitar more relevant than it ever has been. This then, is simply the Stratocaster, built with the utmost respect for its heritage and hot-rodded for today’s players. Fender have pulled no punches with this baby…premium features include a hand selected alder body with a magnificent satin finished maple neck with a mid-’60s soft “C”-shaped profile, vintage-style heel-end truss rod adjustment and a compound-radius (7.25″-12″) rosewood fingerboard. Other premium features include 21 6105 fret wires, oversize white pearloid dot inlays and a real bone nut to help nail that tone. The tone of your favourite licks and those to yet be inpired come courtesy of American Vintage single-coil ’59 Stratocaster (neck), ’65 gray-bottom Stratocaster (middle) and single-coil ’56 Stratocaster (bridge) pickups. In addition to five-way blade pickup switching, an S-1™ switch adds the bridge pickup to pickup switch positions 3, 4 and 5. Other features include a four-ply brown shell pickguard, three aged white control knobs (master volume, tone 1, tone 2), two-point synchronized tremolo with vintage-style stamped steel saddles, Gotoh® locking tuners and locking strap buttons. There is nothing standard about this tone machine and other upgraded features include a deluxe vintage-style black case, vintage-style 8′ cable, vintage-style black strap, extra tremolo springs and wrenches. Of course, your Fender Hot Rod ’60s Stratocaster® has been thoroughly checked over and set up by John Kuts, our inhouse guitar tech. 
Fender Vintage Hot Rod ’60s Stratocaster® specifications:- Model Name: Vintage Hot Rod ’60s Stratocaster®
- Series: Vintage Hot Rod
- Body Material: Alder
- Body Finish: Gloss Nitrocellulose Lacquer
- Body Shape: Stratocaster® double cutaway offset body
- Neck Material: Maple
- Neck Shape: Mid ’60s “C”
- Scale Length: 25.5″ (64.8 cm)
- Fingerboard: Rosewood
- Frets: 21 x 6105 frets
- Fret Size: Narrow Jumbo
- Nut Material: Bone
- Nut Width: 1.650″ (42 mm)
- Position Inlays: Oversized White Pearloid Dots
- Bridge Pickup: American Vintage ’56 Strat® Single-Coil
- Middle Pickup: American Vintage ’65 Grey Bottom Single-Coil Strat®
- Neck Pickup: American Vintage ’59 Single-Coil Strat®
- Controls: Master Volume (with S-1™ Switch), Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup)
- Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup
- Pickup Configuration: SSS
- Special Electronics: S-1™ Switch Adds Bridge Pickup Into Positions 3, 4 and 5
- Bridge: 2-Point Synchronized Tremolo with Vintage-Style Stamped Steel Saddles
- Hardware Finish: Nickel/Chrome
- Tuning Machines: Vintage-Style Locking
- Pickguard: 4-Ply Tortoiseshell
- Control Knobs: Aged White Plastic
- Strings: Fender® USA, Nickel Plated Steel .010″-.046″ Gauge
- Unique Features: HR Serial Number Prefix, 4-Bolt with Engraved Vintage Hot Rod Crossed Checkered Flags Emblem, White Pearloid Side Dot Position Inlays, Single “Wing” String Tree, Vintage-Style Heel Truss Rod Adjustment, Locking Strap Buttons
IN STOCK southcoastmusic…authorised Seagull Guitar Specialists S e a g u l l E x c u r s i o n n a t u r a l Dreadnought S G Folk size Steel String Acoustic Guitar Wild Cherry semi gloss finish 
click on image to enlarge In 1982 Robert Godin produced the first Seagull guitars in the Village of LaPatrie, Quebec. The concept for the Seagull guitar was to take the essential components of the best hand-crafted guitars and build these features into guitars that could be priced within the reach of working musicians. Hand made in Canada, the Seagull Excursion Series sets a new benchmark for affordable North American made acoustic guitars.
Seagull have taken a different approach with the Excursion series and the Natural Dreadnought SG features a 3-layer lamination of real Canadian Hardwood – Wild Cherry for the Top, Back & Sides. This lamination means that this guitar has a light yet incredibly strong top that resonates freely with a superb tone straight out of the box that is both powerful and articulate. Other features include a burn stamped rosette, semi-gloss Custom Polished finish, and Seagull Slim neck with slimmer nut width. 
click on image to enlarge The Seagull Natural Dreadnought SG is beautifully understated, with the only decoration being the burn stamp ‘rosette’ that reads “Handcrafted in the village of Princeville Quebec Canada”, which is a nice reminder that you’re playing a Canadian built guitar that feels, sounds and looks at lot more than it costs! We sincerely believe that you will struggle to find a guitar that’s better made at this price. The internal bracing and kerfed linings are impeccably crafted. The Silver-Leaf Maple neck, too, with its solid Rosewood fingerboard, tidy frets and slightly rounded edges, comes with quite a supremely comfortable and eminently playable electric-like neck shape and width. Combined with an impressive setup and quality enclosed 14:1 ratio tuning machines, not to mention a Compensated Tusq® saddle by on the rosewood pin bridge, this is a guitar centred on affordability and quality over bling and on-paper specifications. Of course, none of the above matters an iota if it doesn’t play well and sound good. And that’s where you’re in for a treat. Aside from being a really easy, positive player, there’s a real strength to the tonality and big, open rock voicings sound huge when you dig in with a pick. Upper-fret lead lines also have power and strength. The Seagull Natural Dreadnought SG is definitely not an entry level guitar but you can buy it today at an entry level price! click on image to enlarge Seagull Natural Dreadnought SG specifications: Nut Width: 1.72″
Top, Back & Sides: Canadian Wild Cherry (3-layer lamination of real hardwood) with Burn Stamped Rosette.
Neck: Silver Leaf Maple Integrated Set Neck
Fingerboard & Bridge: Rosewood
Nut & Saddle: Compensated Tusq® by Graphtech
Truss Rod: Double Function
Finish: Semi-Gloss Custom Polished Finish S e a g u l l E x c u r s i o n n a t u r a l d r e a d n o u g h t S G Folk size Steel String Acoustic Guitar
Wild Cherry semi gloss finish rrp$749 Australia-Wide Delivery is included! This item has sold out – please let us know if you would like to buy a similar item.
click on image to enlarge In 1982 Robert Godin produced the first Seagull guitars in the Village of LaPatrie, Quebec. The concept for the Seagull guitar was to take the essential components of the best hand-crafted guitars and build these features into guitars that could be priced within the reach of working musicians. Hand made in Canada, the Seagull Excursion Series sets a new benchmark for affordable North American made acoustic guitars.
Seagull have taken a different approach with the Excursion series and the Natural Dreadnought SG features a 3-layer lamination of real Canadian Hardwood – Wild Cherry for the Top, Back & Sides. This lamination means that this guitar has a light yet incredibly strong top that resonates freely with a superb tone straight out of the box that is both powerful and articulate. Other features include a burn stamped rosette, semi-gloss Custom Polished finish, and Seagull Slim neck with slimmer nut width. 
click on image to enlarge The Seagull Natural Dreadnought SG is beautifully understated, with the only decoration being the burn stamp ‘rosette’ that reads “Handcrafted in the village of Princeville Quebec Canada”, which is a nice reminder that you’re playing a Canadian built guitar that feels, sounds and looks at lot more than it costs! We sincerely believe that you will struggle to find a guitar that’s better made at this price. The internal bracing and kerfed linings are impeccably crafted. The Silver-Leaf Maple neck, too, with its solid Rosewood fingerboard, tidy frets and slightly rounded edges, comes with quite a supremely comfortable and eminently playable electric-like neck shape and width. Combined with an impressive setup and quality enclosed 14:1 ratio tuning machines, not to mention a Compensated Tusq® saddle by on the rosewood pin bridge, this is a guitar centred on affordability and quality over bling and on-paper specifications. Of course, none of the above matters an iota if it doesn’t play well and sound good. And that’s where you’re in for a treat. Aside from being a really easy, positive player, there’s a real strength to the tonality and big, open rock voicings sound huge when you dig in with a pick. Upper-fret lead lines also have power and strength. The Seagull Natural Dreadnought SG is definitely not an entry level guitar but you can buy it today at an entry level price! click on image to enlarge Seagull Natural Dreadnought SG specifications: Nut Width: 1.72″
Top, Back & Sides: Canadian Wild Cherry (3-layer lamination of real hardwood) with Burn Stamped Rosette.
Neck: Silver Leaf Maple Integrated Set Neck
Fingerboard & Bridge: Rosewood
Nut & Saddle: Compensated Tusq® by Graphtech
Truss Rod: Double Function
Finish: Semi-Gloss Custom Polished Finish S e a g u l l E x c u r s i o n n a t u r a l d r e a d n o u g h t S G Folk size Steel String Acoustic Guitar
Wild Cherry semi gloss finish rrp$749 Australia-Wide Delivery is included! This item has sold out – please let us know if you would like to buy a similar item. southcoastmusic…authorised Seagull Guitar Specialists S e a g u l l E x c u r s i o n n a t u r a l f o l k S G Folk size Steel String Acoustic Guitar Wild Cherry semi gloss finish 
click on image to enlarge In 1982 Robert Godin produced the first Seagull guitars in the Village of LaPatrie, Quebec. The concept for the Seagull guitar was to take the essential components of the best hand-crafted guitars and build these features into guitars that could be priced within the reach of working musicians. Hand made in Canada, the Seagull Excursion Series sets a new benchmark for affordable North American made acoustic guitars.
Seagull have taken a different approach with the Excursion series and the Natural Folk SG features a 3-layer lamination of real Canadian Hardwood – Wild Cherry for the Top, Back & Sides. This lamination means that these guitars are incredibly strong with a superb tone straight out of the box that is both powerful and articulate. Other features include a burn stamped rosette, semi-gloss Custom Polished finish, and Seagull Slim neck with slimmer nut width. click on image to enlarge The Seagull Natural Folk SG is beautifully understated, with the only decoration being the burn stamp ‘rosette’ that reads “Handcrafted in the village of Princeville Quebec Canada”, which is a nice reminder that you’re playing a Canadian built guitar that feels, sounds and looks at lot more than it costs! We sincerely believe that you will struggle to find a guitar that’s better made at this price. The internal bracing and kerfed linings are impeccably crafted. The Silver-Leaf Maple neck, too, with its solid Rosewood fingerboard, tidy frets and slightly rounded edges, comes with quite a supremely comfortable and eminently playable electric-like neck shape and width. Combined with an impressive setup and quality enclosed 14:1 ratio tuning machines, not to mention a Compensated Tusq® saddle by on the rosewood pin bridge, this is a guitar centred on affordability and quality over bling and on-paper specifications. Of course, none of the above matters an iota if it doesn’t play well and sound good. And that’s where you’re in for a treat. Aside from being a really easy, positive player, there’s a real strength to the tonality and big, open rock voicings sound huge when you dig in with a pick. Upper-fret lead lines also have power and strength. The Seagull Natural Folk SG is definitely not an entry level guitar but you can buy it today at an entry level price! Seagull Natural Folk SG specifications: Nut Width: 1.72″
Top, Back & Sides: Canadian Wild Cherry (3-layer lamination of real hardwood) with Burn Stamped Rosette.
Neck: Silver Leaf Maple Integrated Set Neck
Fingerboard & Bridge: Rosewood
Nut & Saddle: Compensated Tusq® by Graphtech
Truss Rod: Double Function
Finish: Semi-Gloss Custom Polished Finish S e a g u l l E x c u r s i o n n a t u r a l f o l k S G Folk size Steel String Acoustic Guitar
Wild Cherry semi gloss finish rrp$749 This is a Brand New First Quality Guitar Australia-Wide Delivery is included! This is a strictly limited offer..SOLD OUT!
click on image to enlarge In 1982 Robert Godin produced the first Seagull guitars in the Village of LaPatrie, Quebec. The concept for the Seagull guitar was to take the essential components of the best hand-crafted guitars and build these features into guitars that could be priced within the reach of working musicians. Hand made in Canada, the Seagull Excursion Series sets a new benchmark for affordable North American made acoustic guitars.
Seagull have taken a different approach with the Excursion series and the Natural Folk SG features a 3-layer lamination of real Canadian Hardwood – Wild Cherry for the Top, Back & Sides. This lamination means that these guitars are incredibly strong with a superb tone straight out of the box that is both powerful and articulate. Other features include a burn stamped rosette, semi-gloss Custom Polished finish, and Seagull Slim neck with slimmer nut width. click on image to enlarge The Seagull Natural Folk SG is beautifully understated, with the only decoration being the burn stamp ‘rosette’ that reads “Handcrafted in the village of Princeville Quebec Canada”, which is a nice reminder that you’re playing a Canadian built guitar that feels, sounds and looks at lot more than it costs! We sincerely believe that you will struggle to find a guitar that’s better made at this price. The internal bracing and kerfed linings are impeccably crafted. The Silver-Leaf Maple neck, too, with its solid Rosewood fingerboard, tidy frets and slightly rounded edges, comes with quite a supremely comfortable and eminently playable electric-like neck shape and width. Combined with an impressive setup and quality enclosed 14:1 ratio tuning machines, not to mention a Compensated Tusq® saddle by on the rosewood pin bridge, this is a guitar centred on affordability and quality over bling and on-paper specifications. Of course, none of the above matters an iota if it doesn’t play well and sound good. And that’s where you’re in for a treat. Aside from being a really easy, positive player, there’s a real strength to the tonality and big, open rock voicings sound huge when you dig in with a pick. Upper-fret lead lines also have power and strength. The Seagull Natural Folk SG is definitely not an entry level guitar but you can buy it today at an entry level price! Seagull Natural Folk SG specifications: Nut Width: 1.72″
Top, Back & Sides: Canadian Wild Cherry (3-layer lamination of real hardwood) with Burn Stamped Rosette.
Neck: Silver Leaf Maple Integrated Set Neck
Fingerboard & Bridge: Rosewood
Nut & Saddle: Compensated Tusq® by Graphtech
Truss Rod: Double Function
Finish: Semi-Gloss Custom Polished Finish S e a g u l l E x c u r s i o n n a t u r a l f o l k S G Folk size Steel String Acoustic Guitar
Wild Cherry semi gloss finish rrp$749 This is a Brand New First Quality Guitar Australia-Wide Delivery is included! This is a strictly limited offer..SOLD OUT!
Wire are the definitive Art Punk and Post-Punk Band. Wire formed in London in October 1976 with Colin Newman (vocals, guitar), Graham Lewis (bass, vocals), Bruce Gilbert (guitar) and Robert Gotobed (drums). The first Art-Punks, the four musicians evolved fast from their groundbreaking 1977 debut album Pink Flag , with its 21 short, sharp, minimalist bursts of noise and melody. Originally associated with the punk rock scene, their debut album “Pink Flag” remains one of the most influential hardcore punk recordings and was described by one reviewer as perhaps the most original debut album to come out of the first wave of British punk. Included on The Roxy London WC2 album, Wire later became central to the development of Post-Punk. Wire’s musical evolution exhibited a steady development from an early noise rock style to a more complex, structured sound involving increased use of guitar effects and synthesizers (1978’s Chairs Missing and 1979’s 154). Through the use of their richly detailed and atmospheric arrangements and obscure lyrical themes the band continues to be a major contemporary influence. Without Wire, punk rock might never have developed beyond primitive three-chord thrash and cliched songs about tower blocks and dole queues. Wire were major catalysts in the shift from punk to post-punk, paving the way for the likes of Magazine, Gang of Four, Public Image Limited and Joy Division. 
Paul Lester’s book tells the story of this crucial transitional band, from their early days dodging hostile crowds at punk venues like the Roxy, through to their attempts to inject some arthouse experimentation and Situationist subversion into an increasingly conservative punk scene. The book covers their split in 1981 and beyond their mid-80s return and their various solo projects taking you behind the scenes with candid interviews with the original members. This seminal read follows Wire up to the present, poised as they are to come back with a brand new album and filled with a renewed sense of vigour as one of the most important bands in the last thirty years. If you even have a passing interest in the evolution of Punk, Art-Punk and Arthouse musical experimentation, this is a book that you won’t want to put down. Here are three tracks from the huge body of music that is WIRE. 12XU (1977) Colin Newman (vocals/guitar): “12XU was one of our first songs as a four-piece. I wanted to deconstruct rock music, to make it sound like it came from somewhere else”. PRACTICE MAKES PERFECT (1978) Colin Newman (vocals/guitar): By this point I was obsessed with taking the “’n’roll” out of rock’n’roll and making it very precise. It felt dark and mirrored the times. I knew that this was something nobody had heard before. With hindsight, you might say we’d invented post-punk. SHORT ELEVATED PERIOD (2017) Colin Newman (vocals/guitar): “When it was played on BBC 6 Music’s Roundtable, the lady from the Guardian [Kate Mossman] said that she liked the way that Wire have never wallowed in their past. It’s very gratifying when people say our new stuff is as good as anything we’ve done”. If you want to learn how to read and write music, this is the book you have been waiting for! Written in plain English and using a minimum of jargon, its supplemented by audio material. This means that you get
lots of examples of how things should sound plus many online bonuses, all clearly flagged on the relevant page in the book. Regular worksheets at the chapter ends make sure you have understood the key points before moving on, and again auxiliary material is available online. Learning to read and write music is not some abstract theory, it is a practical skill that can be learnt. For the first time there is a book plus a website dedicated to teaching you how! If youve failed before, its probably because you never had a unique product like How to Read Music.
ROLAND STUDIO-CAPTURE UA-1610
With the STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market. 
- High Performance USB 2.0 Audio Interface
- Flagship 16×10 Interface with 12 Premium Mic Preamps
With the STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market. 
- High-performance USB 2.0 audio interface for studio and mobile production
- 16 audio inputs and 10 audio outputs, including 12 premium mic preamps (VS PREAMP)
- VS STREAMING delivers ultra-stable, low-latency driver performance for Windows and Mac
- AUTO-SENS intelligently sets optimal input levels for all preamps
- Individual input/output meters and input channel buttons
- Four independent, software-controlled monitor mixes
- XLR monitor out, direct monitor, and dual headphone outputs with independent front-panel level knobs
- Coaxial digital I/O; MIDI I/O with FPT
- Expand your I/O by using two STUDIO-CAPTUREs together, both controlled with a single driver
- 2U rackmount ears included
- Sampling Rate: 96 kHz, 48 kHz, 44.1 kHz
- Number of Audio Record Channels: 16 channels
- Number of Audio Playback Channels: 10 channels
- Sampling Rate: 192 kHz
- Number of Audio Record Channels: 8 channels
- Number of Audio Playback Channels: 4 channels
- Signal Processing – PC interface: 24 bits
- AD/DA Conversion: 24 bits
- Sampling Rate AD/DA Conversion: 192 kHz, 96 kHz, 48 kHz, 44.1 kHz
- Sampling Rate DIGITAL (IN/OUT): 96 kHz, 48 kHz, 44.1 kHz
- Nominal Input Level (variable) Input 1–12 jacks (XLR type): -60 to -2 dBu
- Nominal Input Level (variable) Input 1–12 jacks (1/4-inch TRS phone type): -54 to +4 dBu
- Nominal Input Level (variable) Input 13–16 jacks (1/4-inch TRS phone type): -20, -10, +4 dBu
- Nominal Output Level OUTPUT 1–8 jacks: +4 dBu (balanced)
- Headroom: 18 dB
- Output Impedance OUTPUT 1–2 jacks (XLR type): 600 ohms (balanced)
- Output Impedance OUTPUT 1–8 jacks (1/4-inch TRS phone type): 2k ohms (balanced)
- Output Impedance HEADPHONES: 47 ohms
- Frequency Response – 192.0 kHz: 20 Hz to 60 kHz (+0/-2 dB), 20 Hz to 90 kHz (+0/-8 dB)
- Frequency Response – 96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB)
- Frequency Response – 48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB)
- Dynamic Range AD block INPUT 1–2: 105 dB typ. (SENS = min.)
- Dynamic Range DA block OUTPUT 1–2: 114 dB typ.
- Display: Graphic LCD 128 x 64 dots
- INPUT 1–12 jacks *1: XLR type (balanced, phantom power *2: DC +48 V (unloaded maximum), 10 mA (maximum load))
- INPUT 1–16 jacks: 1/4-inch TRS phone type (balanced)
- PHONES jack: Stereo 1/4-inch phone type
- OUTPUT 1–8 jacks: 1/4-inch TRS phone type (balanced)
- COAXIAL IN jack: RCA phono type (conforms to IEC60958)
- COAXIAL OUT jack: RCA phono type (conforms to IEC60958)
- MIDI (IN, OUT) connectors
- USB port: USB Type B
- DC IN jack
- Interface: Hi-Speed USB
- Power Supply: 240V AC adaptor
- Current Draw: 1.6 Amps
- Owner’s Manual
- Block Diagram leaflet
- AC adaptor
- STUDIO-CAPTURE Driver CD-ROM
- Rack mount angle x 2
- USB cable
- License agreement